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This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
This book addresses memory politics and their evolution as an academic discipline, including memory studies. It explores national and international debates about conflicting interpretations of the recent past, including WWII remembering, the annexation of Ukraine, the reformed history teaching in Putin’s Russia, Historikerstreit and the holocaust in Germany, and the legacy and role of nuclear weapons in international relations in the USA in the context of the so called New Cold War.
Examines the origins, outbreak and early campaigns of the First World War in Central and Eastern Europe to reconstruct the experiences, changes in minds, behaviour and habits of people, uniformed or not, males and females, from multiple nations located in an imagined triangle between Helsinki, Bucharest and Vienna.
Reveals how European intellectual life was rebuilt after the cataclysm of the First World War.
On 24 July 1923 the last Treaty ending hostilities in the Great War was signed at Lausanne in Switzerland. That Treaty closed a decade of violence. Jay Winter tells the story of what happened on that day. On the shores of Lake Geneva, diplomats, statesmen, and soldiers came from Ankara and Athens, from London, Paris, and Rome, and from other capital cities to affirm that war was over. The Treaty they signed fixed the boundaries of present-day Greece and Turkey, and marked a beginning of a new phase in their history. That was its major achievement, but it came at a high price. The Treaty contained within it a Compulsory Population Exchange agreement. By that measure, Greek-Orthodox citizens o...
Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power.
This monograph traces the history of the dissident as a transnational phenomenon, exploring Soviet dissidents in Communist Central Europe from the mid-1960s until 1989. It argues that our understanding of the transnational activist would not be what it is today without the input of Central European oppositionists and ties the term to the global emergence and evolution of human rights. The book examines how we define dissidents and explores the association of political resistance to authoritarian regimes, as well as the impact of domestic and international recognition of the dissident figure. Turning to literature to analyse the meaning and impact of the dissident label, the book also incorporates interviews and primary accounts from former activists. Combining a unique theoretical approach with new empirical material, this book will appeal to students and scholars of contemporary history, politics and culture in Central Europe.
The modern nation is an organisational form of society that has undergone numerous changes throughout history. The concept of the nation in Europe in the nineteenth century has been posed and answered in the past, but, as the basic conditions of its existence change, it is essential that this important question be asked again. Without doubt, the modern nation realizes the promises of solidarity and community which are so attractive to the masses, and has a profound effect on identity formation. Without these structures originally put in place by civil society, self-organization as the implementation of national thought is unimaginable. Understanding the necessity and the possibility of the designability of society through the idea of nation and the functionality of civil society determines the strength and stability of the national movement.