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The Sound of Modern Polish Poetry
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape ...
1979-1990
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The Comical
The problem of the comical is one of the most interesting issues in aesthetics. Its significance extends well beyond the sphere of aesthetic studies and has at tracted the attention of the scholars working in other fields such as the theorists and historians of particular art forms, sociologists, psychologists, as well as anthropologists, ethnographers and the theorists of education. Philosophy has devoted a lot of attention to the comical. Since Aristotle al most every philosopher has felt obliged to comment on this question. However, even though they have offered a number of accurate observations on the subject, the philosophers involved in the discussion about the comical have earned a re...
The Development of the Bulgarian Literary Language
Ivan N. Petrov’s The Development of the Bulgarian Literary Language: From Incunabula to First Grammars, Late Fifteenth–Early Seventeenth Century examines the history of the first printed Cyrillic books and their role in the development of the Bulgarian literary language. In the literary culture of the Southern Slavs, especially the Bulgarians, the period that began at the end of the fifteenth century and covered the sixteenth and seventeenth centuries is often seen as a foreshadowing of the pre-national era of modern times. In particular, the centuries-old manuscript tradition was gradually replaced by the Cyrillic printed book, which—after the incunabula of Krakow and Montenegro—was...
Women in Polish Cinema
This work aims to explore the main types of female character in Polish feature cinema, from its beginnings to contemporary times and also to analyse the work of the most prominent Polish women film directors against the background of the roles being played by women in Polish history and their positions within society.
African Vodun
"This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--Jacket.
A Fugitive from Utopia
Baranczak--a poet, critic, translator, and Polish émigré--supplies politico-cultural context for Herbert while analyzing the texts and themes of his poems. Herbert's poetry, he shows, is based on permanent confrontation--of Western tradition with the experience of an Eastern European, of classicism with modernity, of cultural myth with empiricism.
The Law of the Looking Glass
Polish cinema has produced some of Europe's finest directors, such as Krzysztof Kie´slowski, Roman Polanski, Andrzej Wajda, and Krzysztof Zanussi, but little is known about its origins at the turn of the twentieth century. In The Law of the Looking Glass, Sheila Skaff analyzes the early years of Polish cinema. She looks at local film production, practices of spectatorship, clashes over language choice in intertitles, and the controversies surrounding the first synchronized sound experiments before World War I. Skaff discusses the creation of a national film industry in the newly independent country of the interwar years; silent cinema; the transition from silent to sound film, including the passionate debates in the press over the transition; and the first Polish and Yiddish “talkies.” The Law of the Looking Glass places particular importance on conflicts in majority-minority relations in the region and the types of collaboration that led to important films such as Der dibuk.
