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The Sound of Modern Polish Poetry
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape ...
Sounds As They Are
In Sounds as They Are, author Richard Beaudoin recognizes the often-overlooked sounds made by the bodies of performers and their recording equipment as music and analyzes these sounds using a bold new theory of inclusive track analysis (ITA). In doing so, he demonstrates new expressive, interpretive, and embodied possibilities and also uncovers insidious inequalities across music studies and the recording industry, including the silencing of certain sounds along lines of gender and race.
The Central and the Peripheral
Representing reality in terms of secure, familiar centres and dangerous, lesser known peripheries is one of the most elementary human cognitive instincts. However, we live in a world where this established division is becoming more and more problematic. One person’s periphery can be another’s centre, and many simple geographies of the world and of the mind, clearly separating the known from the unknown, have become obsolete. How can one reconcile this complexity with the fact that human thinking cannot escape the centre/periphery dichotomy? How is it possible to find one’s way in a world in which peripheries become centres, and centres turn into peripheries? The chapters of this book try to determine how the problem of centres and peripheries has been dealt with in the domains of literature and culture. The contributors focus on different aspects of the issue – from travel writing, through attempts at mapping the self, to finding central and peripheral territories in narrative itself.
Outside the "Comfort Zone"
Traditionally, privacy studies have focused on the liberal democratic societies of the global West, whereas non-democratic contexts have played a marginal role in the discussion of the private and public spheres, not in the least because of the political stances of the Cold War era. This volume offers explorations of highly diversified performances and discourses of privacy by various actors which were embedded into the culturally, economically, and politically specific constructions of late socialism in individual states of the Warsaw Pact. While the experience of socialism varied across the Bloc, there were also some reactions to socialism and some reverse responses of socialist regimes to...
A Fugitive from Utopia
Baranczak--a poet, critic, translator, and Polish émigré--supplies politico-cultural context for Herbert while analyzing the texts and themes of his poems. Herbert's poetry, he shows, is based on permanent confrontation--of Western tradition with the experience of an Eastern European, of classicism with modernity, of cultural myth with empiricism.
The Poet's Work
Born eighty years ago in Lithuania, Czeslaw Milosz has been acclaimed "one of the greatest poets of our time, perhaps the greatest" (Joseph Brodsky). This self-described "connoisseur of heavens and abysses" has produced a corpus of poems, essays, memoirs, and fiction of such depth and range that the reader's imagination is moved far beyond ordinary limits of consciousness. In The Poet's Work Leonard Nathan and Arthur Quinn follow Milosz's wanderings in exile from Poland to Paris to Berkeley as they chart the singular development of his art. Relating his life and his works to the unfolding of his thought, they have crafted a lucid reading of Milosz that far surpasses anything yet written on t...
Breathing Under Water and Other East European Essays
In essays on issues from censorship to underground poetry, Baranczak explores the role that culture--and particularly literature--has played in keeping the spirit of intellectual independence alive in Eastern and Central Europe.
Lessons from an Optical Illusion
The Sound of Modern Polish Poetry unearths recordings from Polish poets such as Czesław Miłosz, Wisława Szymborska, and Zbigniew Herbert. Analyzing their singular performance styles, Aleksandra Kremer argues that twentieth-century Polish artists developed new aesthetics of reading and novel concepts of the poetic self.
