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THE ACADEMY. A WEEKLY REVIEW OF LITERATURE, SCIENCE, AND ART.
  • Language: en
  • Pages: 616

THE ACADEMY. A WEEKLY REVIEW OF LITERATURE, SCIENCE, AND ART.

  • Type: Book
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  • Published: 1877
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  • Publisher: Unknown

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Handbook of Painting
  • Language: en
  • Pages: 360

Handbook of Painting

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

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The academy
  • Language: en
  • Pages: 858

The academy

  • Type: Book
  • -
  • Published: 1877
  • -
  • Publisher: Unknown

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Current Catalog
  • Language: en
  • Pages: 1068

Current Catalog

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

First multi-year cumulation covers six years: 1965-70.

A Brief Chronological Description of a Collection of Original Drawings and Sketches
  • Language: en
  • Pages: 218

A Brief Chronological Description of a Collection of Original Drawings and Sketches

Reprint of the original, first published in 1875.

Painters and Their Works
  • Language: en
  • Pages: 686

Painters and Their Works

  • Type: Book
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  • Published: 1897
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  • Publisher: Unknown

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Masterworks
  • Language: en
  • Pages: 105

Masterworks

  • Categories: Art

The Mifflin Smith Collection of masterworks from the Low Countries and the surrounding region is a small but important aggregation of sixteenth to eighteenth century old master paintings. Seventeenth century Dutch and Flemish masterworks are unquestionably the focal point of these twenty-five highly selective and carefully chosen paintings.

Vermeer and His Milieu
  • Language: en
  • Pages: 477

Vermeer and His Milieu

  • Categories: Art

This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.

The Masters of Genre Painting
  • Language: en
  • Pages: 296

The Masters of Genre Painting

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