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Twenty Years on
New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process. Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on ou...
Porcelain Doll
Is art imitating life in 1982? Jana Lane, ex-child star, is doing a comeback film about murder. When a crew member is killed on the set, it looks like Jana could be next. Thickening the plot is Jana’s breathtakingly handsome and muscular leading man, Jason Apollo, whose boyish, southern charms have aroused Jana’s interest on screen and off. Will Jana and Jason stop the murderer before the final reel, or end up on the cutting room floor in this fast-paced whodunit with a shocking ending?
Shifting Perspectives
Tate provides a detailed account of 'subjective authenticity' in German literature: its origins in the 1930s' exile debates, its evolution during the GDR's lifespan, and its manifestations in the work of five East German authors: Brigitte Reinmann, Franz Fühmann, Stefan Heym, Günter de Bruyn and Christa Wolf.
Contemporary German Fiction
The profound political and social changes Germany has undergone since 1989 have been reflected in an extraordinarily rich range of contemporary writing. Contemporary German Fiction focuses on the debates that have shaped the politics and culture of the new Germany that has emerged from the second half of the 1990s onwards and offers the first comprehensive account of key developments in German literary fiction within their social and historical context. Each chapter begins with an overview of a central theme, such as East German writing, West German writing, writing on the Nazi past, writing by women and writing by ethnic minorities. The authors discussed include Günter Grass, Ingo Schulze, Judith Hermann, Christa Wolf, Christian Kracht and Zafer Senocak. These informative and accessible readings build up a clear picture of the central themes and stylistic concerns of the best writers working in Germany today.
The Poetics of Passage
Following German writer Christa Wolf’s death in December 2011, the scholarly interest that her work had generated over four decades now culminates in the question of her literary and cultural legacy. Throughout her long writing career, Christa Wolf often pointed to generational differences, and asked questions about historical experiences specific to the period’s contemporaries. The Poetics of Passage discusses the experience of time and history, and their representation as two of the late author’s guiding concerns. Considering Wolf’s critiques of Anna Seghers’ work, Heike Polster develops a framework for understanding the poetic construction of time in Wolf’s texts. Furthermore, the writer’s critical engagement with memory, history, and the writing process is formulated into a poetics of contemporaneity, or “Zeitgenossenschaft”, that Polster’s study outlines as Wolf’s poetological response to the ontological questions of time’s passage.
China Doll
Jana Lane is back on Broadway in 1984—starring in a murder mystery. Life imitates art when members of the company are murdered. As Jana investigates, it’s clear she may be the next victim. Complicating matters is Jana’s uncontrollable infatuation with her leading man, gorgeous and muscular Off-Broadway actor Peter Stevens. Will Jana find the murderer before the curtain comes down on her?
Mapping the Contours of Oppression
Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contr...
