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Collecting and Provenance
The study of provenance—the history of the creation and ownership of an artefact, work of art, or specimen—provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art ...
Chunghi Choo and Her Students
The renowned silversmith and jewelry artist Chunghi Choo (born 1938 in South Korea) is internationally known for her work with electroplating technology and plastic. Her pieces are represented in the most important museums worldwide, including the Metropolitan Museum of Arts (US), the Victoria and Albert Museum (UK) and the Musée des Arts décoratifs (FR). She is also professor emeritus at the University of Iowa, where she established a metals department and raised it to global prominence during her more than 30 years of tenure. Many of her students have become respected artists in the fields of painting, jewellery, textile art, metal design or sculpture. The publication chronicles Choo's distinguished career and features select pieces over the past six decades that have earned her Elected Fellow status of the American Craft Council. Their lasting influence on subsequent generations of artists becomes clear in the works presented by 30 former students.--Translation provided by cataloger via Google Translate.
Studio Furniture of the Renwick Gallery
Take a tour of the Renwick Gallery, the craft division of the Smithsonian, and enjoy an in-depth look at the artists and the work of this unparalleled collection of handmade contemporary furniture. This absorbing volume features profiles and interviews of 64 artists and reveals their artistic influences and interpretations along with 112 stunning photos of iconic work.
The Brummer Galleries, Paris and New York
This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.
Real, Recent, Or Replica
"Examines the largely unexplored topics in Caribbean archaeology of looting of heritage sites, artifact fraud, and illicit trade of archaeological materials"--
Wilhelm Bode and the Art Market
The volume exposes the modus operandi of Wilhelm Bode’s strategic involvement in the art market and the formation and dissolution of public and private collections, showcasing his complex agency within the art marketplace of the late nineteenth and early twentieth centuries.
Collectors, Commissioners, Curators
This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.
The Science of James Smithson
Accessible exploration of the noteworthy scientific career of James Smithson, who left his fortune to establish the Smithsonian Institution. James Smithson is best known as the founder of the Smithsonian Institution, but few people know his full and fascinating story. He was a widely respected chemist and mineralogist and a member of the Royal Society, but in 1865, his letters, collection of 10,000 minerals, and more than 200 unpublished papers were lost to a fire in the Smithsonian Castle. His scientific legacy was further written off as insignificant in an 1879 essay published through the Smithsonian fifty years after his death--a claim that author Steven Turner demonstrates is far from the truth. By providing scientific and intellectual context to his work, The Science of James Smithson is a comprehensive tribute to Smithson's contributions to his fields, including chemistry, mineralogy, and more. This detailed narrative illuminates Smithson and his quest for knowledge at a time when chemists still debated thing as basic as the nature of fire, and struggled to maintain their networks amid the ever-changing conditions of the French Revolution and the Napoleonic Wars.
Museums, Ethics and Cultural Heritage
This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM’s unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike.
The State and the Art
The role of private actors in policing has become a topic in both research and policy, as police forces face budgetary and expertise-related constraints. These challenges are evident in art crime policing, where a lack of prioritisation often means limited resources are allocated for a crime that requires significant expertise to tackle. Cooperating with private actors has been mooted as a solution to this deficit, but empirical research to support this suggestion is scarce. This book helps fill this gap by examining the interaction between specialist art crime police units and private actors in Belgium, the United Kingdom, and France. Its central questions are whether cooperation already exists in art crime policing, and why, or not. It was found that while limits to police capacity are an important driver for private outreach, several other factors also significantly affect cooperation. This book is relevant for policy, practice, and research, as it examines a hitherto less discussed topic which is nonetheless urgent as art crime shows little signs of abating.
