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Jane Shore
Reproduction of the original: Jane Shore by Nicholas Rowe
Re-Presenting 'Jane' Shore
Re-Presenting 'Jane' Shore analyzes the representation of the mistress of Edward IV of England, known to us as 'Jane' Shore (c. 1445-c. 1527). The daughter of a well-to-do merchant, she left her merchant husband to become the king's concubine. After Edward's death, his brother, later Richard III, charged her with witchcraft and harlotry, prompting Thomas More to include her in his exposition of Richard's perfidies in The History of Richard III. Since then, Jane Shore has been a frequent subject of, among others, poets (Thomas Churchyard and Thomas Deloney), playwrights (Shakespeare and Nicholas Rowe), and novelists (Guy Padget and Jean Plaidy). Scott examines the anxiety in Anglo-American culture generated when sex and politics intersect, using the case of 'Jane' Shore to show how history is compromised and complicated by context. In doing so, she reveals how women continue to be deployed as symbols rather than as actors on the larger stage of the drama that is politics.
Jane Shore:
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The Mysterious Mistress
Jane Shore often gets just a byline in history. We know her name, and that she was the mistress of a king. But who was this woman caputred for the stage by Shakespeare in 'Richard III', fictionalised by Jean Plaidy and others? Where did she come from? And how was it that having been mistress to the most powerful man in the land, she ended her years in prison and poverty? Jane Shore was born into a family of merchants and was married early, to William Shore. Having already attempted to get her marriage annulled - citing William's impotence - once she became involved with Edward IV it was inevitable that her marriage was dissolved. She is said to have been a benign influence - 'where men were out of favour, she would bring them in his grace' wrote Thomas More - even intervening to save Eton College and King's College from destruction. When the king died, her position became very vulnerable. Sorcery, treason, penance, imprisonment, poverty, escape and execution were key elements in the rest of Jane's life. Margaret Crosland draws on literary, historical and artistic sources to explore Jane's life both before and after Edward's demise.
