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The Life of a Simple Man
A classic in France, this moving first-person story can be read as a fictional account, as well as the best kind of material for historians of 19th-century French peasant life.
Gothic Tales of the Marquis de Sade
A collection of de Sade's stories utilizing gothic conventions and questioning sexual and societal mores The notorious author of pornographic novels and a sexual pervert who spent much of his life in prison and whose name was unmentionable in civilized circles, only in recent times has the Marquis come to be seen as misunderstood—essentially a moralist, his exploration of the so-called dark side of the human psyche remains as relevant to our society as it was to his own. This collection will provide an excellent introduction to Sade’s fiction; these accessible stories range from the dramatic novellaEugenie de Franval, in which a father’s criminal passion for his daughter leads to intrigue, abduction, and murder, to comic tales such asThe Husband Who Plays Priest, concerning a lecherous monk who finds an ingenious way to combine clerical duties with secular pleasures. De Sade’s gift as a humorist are much in evidence, as is his particular delight in unusual marital situations—which invariably lead to the most diverting conclusions.
The Enigma of Giorgio de Chirico
Giorgio de Chirico (1888-1978) was best known for his metaphysical paintings, but he also wrote poems, articles about art, an autobiography, and the first surrealist novel. Even more mysterious than the paintings, is the man himself: secretive, self-centered and contradictory, supercritical, ironic, and humorless, yet creative in ways he probably hardly understood. He did not share the Surrealists' overt preoccupation with the erotic, but was obsessed with memories of ancient mythology, 19th century German philosophy, metaphysics, and the secrets of creativity. With these obsessions, he tried, unconsciously, to solve the problems of his own sexuality which he concealed within. A loner, who never formally aligned himself with the Surrealists, or any other artistic movement, he produced several thousand works of art, with many changes of style. These were praised by Guillaume Apollinaire, Andre Breton, Max Ernst, and paul Eluard. He has remained one of the most baffling and memorable of those associated with the Surrealists.
The Mysterious Mistress
Jane Shore often gets just a byline in history. We know her name, and that she was the mistress of a king. But who was this woman caputred for the stage by Shakespeare in 'Richard III', fictionalised by Jean Plaidy and others? Where did she come from? And how was it that having been mistress to the most powerful man in the land, she ended her years in prison and poverty? Jane Shore was born into a family of merchants and was married early, to William Shore. Having already attempted to get her marriage annulled - citing William's impotence - once she became involved with Edward IV it was inevitable that her marriage was dissolved. She is said to have been a benign influence - 'where men were out of favour, she would bring them in his grace' wrote Thomas More - even intervening to save Eton College and King's College from destruction. When the king died, her position became very vulnerable. Sorcery, treason, penance, imprisonment, poverty, escape and execution were key elements in the rest of Jane's life. Margaret Crosland draws on literary, historical and artistic sources to explore Jane's life both before and after Edward's demise.
Jail Sentences
A long list of canonical writers in Western literature have experienced incarceration and have subsequently written celebrated works about the imprisoned and the condemned. The French tradition is no exception: writers who produced noteworthy texts while incarcerated or who later wrote about their experiences in prison are found on the literary-historical landscape from the medieval era through the twentieth century. Prison writing by inmates, former guards, chaplains, teachers, and doctors is firmly established as part of the fabric of popular culture and has long attracted the attention of culture critics and scholars. Nevertheless, scant analysis exists of the prison novel a literary genr...
Torch Singing
"In this innovative book, Stacy Holman Jones presents torch singing as a much more complicated phenomenon than the familiar trope of a woman lamenting her victimhood. With an ethnographer's eye, she observes the bluesy torch singers, asking if they are possibly performing critiques of the very lyrics they are singing. From this perspective, we see the singer giving expression not only to desire but also to an incipient determination to resist and change. Holman Jones also reveals points of contact in the opposition between spectators and performers, emotion and intellect, and love and power. Instead of interpreting the expression of love as a woman's violent mistake - as willing deception and passive fate - Holman Jones allows us to hear an active search for hope."--BOOK JACKET.
Playtexts
Not hubris but the ever self-renewing impulse to play calls new worlds into being. NietzscheParents and politicians have always taken play seriously. Its formative powers, its focus, its energy, and its ability to signify other things have drawn the attention of writers from Plato and Schiller to Wittgenstein, Nabokov, and Eco. The ease with which an election becomes perceived as a race, a political crisis as a football game, or an argument as a tennis match readily proves how much play means to contemporary life. Just how play confers meaning, however, is best revealed in literature, where meaning is perpetually at stake. At stake itself, the risk of a gamble, is only one intersection betwe...
Huddersfield at War
Huddersfield at War is a new edition of a classic text from a well-known author.
The Drama of Fallen France
Examines the role of the theatre in Paris during the Nazi occupation.
