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“I THINK I KNOW WHO I AM”: the anatomy of a family
  • Language: en
  • Pages: 306

“I THINK I KNOW WHO I AM”: the anatomy of a family

  • Type: Book
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  • Published: 2016-12-14
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  • Publisher: Lulu.com

The author has researched his own family history extensively and explains how he went about this and sets out the resulting discoveries which include finding a direct line of descent from the Plantagenet Kings of England which in turn established links to many royal and aristocratic families. There are many interesting characters revealed in the process, about whom the author comments, and there is much advice about how to research family history together with some warnings of some of the pitfalls which may mislead the unwary. This anatomy of a family provides some illuminating insights into social history and some entertaining anecdotes.

Renaissance Poetry and Drama in Context
  • Language: en
  • Pages: 365

Renaissance Poetry and Drama in Context

Renaissance Poetry and Drama in Context is a stimulating refereed collection of new work dedicated to Emeritus Professor Christopher Wortham of The University of Western Australia. The essays provide a rich context for the interdisciplinary study of the English Renaissance, from its medieval antecedents to its modern afterlife on stage and screen. Their up-to-date engagement with many scholarly fields - art and iconography, cartography, cultural and social history, literature, politics, theatre, and film - will ensure that this book makes a valuable contribution to contemporary Renaissance studies, with a special interest for those researching and teaching English literature and drama. The n...

Bear's Postal Directory for Margate, Ramsgate, St. Lawrence, Broadstairs and St. Peter's
  • Language: en
  • Pages: 178
The Register Book of Marriages Belonging to the Parish of St. George, Hanover Square, in the County of Middlesex
  • Language: en
  • Pages: 602
Magnificent Obsessions
  • Language: en
  • Pages: 250

Magnificent Obsessions

This volume is a tribute to the life and work of Hazel Rowley, internationally acclaimed biographer who died unexpectedly in March 2011. Her passions were many and varied: biography, politics, questions of race and sexuality, the ways in which couples negotiate the dilemmas posed by the need to retain their individuality while building a life as a couple, the deleterious effects of imposing a corporate mentality on universities – all these, and more, were subjects of intense interest to her. This collection combines essays responding to many of those interests with creative writing to honour the complexity and variety of her own magnificent contribution. Hazel Rowley, whose life and work are honoured in this collection, was the author of many articles and essays and four outstanding biographies, Christina Stead: A Biography, Richard Wright: The Life and Times, Tête-à-Tête: Simone de Beauvoir and Jean Paul Sartre, and Franklin and Eleanor: An Extraordinary Marriage.

Metatheater and Modernity
  • Language: en
  • Pages: 203

Metatheater and Modernity

Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion com...

The Publications of the Harleian Society
  • Language: en
  • Pages: 594

The Publications of the Harleian Society

Reprint of the original, first published in 1877.

Framing French Culture
  • Language: en
  • Pages: 300

Framing French Culture

Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.