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Jane W. Shackleton's Ireland
For the first time and over a century, Jane W. Shackleton's remarkable photographs can be fully appreciated by all in this well-wrought volume.
The Waters and the Wild
In 2019, Gwen Wilkinson set herself the challenge of building a canoe and paddling it the length of Ireland, along a network of inland waterways. She set out from the shores of Lough Erne and navigated a 400 km journey to the tidal waters of the River Barrow in Ireland. More than just a travelogue, The Waters and the Wild explores the interwoven histories of the people and wildlife that shaped Gwen’s journey. As the adventure unfolds, she also shines a light on pioneering women who have left their mark on Ireland’s landscape – both natural and cultural. From wild camping on deserted islands to drifting on lakes in the company of restless lapwings, this book invites the reader to share an intense engagement with the natural world. The charming text is accompanied by the author’s own striking lino and woodcut prints, beautiful and though-provoking interpretations of the flora and fauna she observed on her travels.
Performance, Modernity and the Plays of J. M. Synge
Explores concepts of performance, modernity and progress by combining performance studies and historical research with contextualised readings of Synge's plays.
The British Friend
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Ireland, Memory and Performing the Historical Imagination
This book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.
The Irish Naturalist
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James Joyce and Photography
James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.
The Monthly Magazine
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