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This book provides an introduction to the basics of surface electromyography and a detailed atlas for electrode placement.
This Reader provides students with a comprehensive overview of differing feminist approaches to the body. Its wide range of contributions locate the important historical developments, interdisciplinary perspectives, and key discourses that have shaped this dynamic area of feminist theory.
It is a central tenet of Christian theology that we will be resurrected in our bodies at the last day. But we have been conditioned, writes Beth Felker Jones, to think of salvation as being about anything but the body. We think that what God wants for us has to do with our thoughts, our hearts, or our interior relationships. In popular piety and academic theology alike, strong spiritualizing tendencies influence our perception of the body. Historically, some theologians have denigrated the body as an obstacle to sanctification. This notion is deeply problematic for feminist ethics, which centers on embodiment. Jones's purpose is to devise a theology of the body that is compatible with femini...
Looking at life: Stories It Took Me 70 years to Write, is a collection of plays or screen plays that I have adventurously written over the years. It is the first of many books to come. So please, enjoy reading it and experience my imagination.
"White shows that despite the onscreen promise of empowerment and coherence (through depictions of materiality that structure the experience), fragmentation and confusion are constant aspects of Internet spectatorship.--BOOK JACKET.
Salsa and Its Transnational Moves presents a critical analysis of salsa dancing in Quebec, Canada. Pulling from such varied fields as anthropology, cultural studies, gender studies, and popular music studies, Pietrobruno examines the local and transnational dimensions underlying the dissemination of salsa within a North American metropolis.
This book uses previously unknown archive materials to explore the meaning of the term ‘incapable of work’ over a hundred years (1911–present). Nowadays, people claiming disability benefits must undergo medical tests to assess whether or not they are capable of work. Media reports and high profile campaigns highlight the problems with this system and question whether the process is fair. These debates are not new and, in this book, Jackie Gulland looks at similar questions about how to assess people’s capacity for work from the beginning of the welfare state in the early 20th century. Amongst many subject areas, she explores women’s roles in the domestic sphere and how these were used to consider their capacity for work in the labour market. The book concludes that incapacity benefit decision making is really about work: what work is, what it is not, who should do it, who should be compensated when work does not provide a sufficient income and who should be exempted from any requirement to look for it.
Feeding Anorexia challenges prevailing assumptions regarding the notorious difficulty of curing anorexia nervosa. Through a vivid chronicle of treatments at a state-of-the-art hospital program, Helen Gremillion reveals how the therapies participate unwittingly in culturally dominant ideals of gender, individualism, physical fitness, and family life that have contributed to the dramatic increase in the incidence of anorexia in the United States since the 1970s. She describes how strategies including the meticulous measurement of patients' progress in terms of body weight and calories consumed ultimately feed the problem, not only reinforcing ideas about the regulation of women's bodies, but a...
Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation—including the histories of dance, theatre, political performance and cinema—and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.