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An irresistibly blackhearted comedy about doctors, dating, dogs, and depression Janet works at a ramshackle dog shelter in the woods. She has a passive-aggressive boyfriend, a meddlesome family, and a clutch of eccentric coworkers. Most of all, she has her "sad"--a comfortable cloak of gloomy realism that brings her comfort when everyone around her has surrendered to the permanent promise of pharmaceutical bliss. Janet wants no part of this, and her family has nearly given up on her. That is, until the fateful summer when word spreads of a new pill that offers even confirmed cynics a short-term taste of happiness . . . just long enough to make it through the holidays without sinking into depression. When her family stages an intervention, her boyfriend leaves her, and the prospect of making it through Christmas alone seems like too much, Janet decides to give in to the pressure. What follows is life-changing for all concerned--in ways no one quite expected. Sharp-tongued, relentlessly witty, yet surprisingly warm, Sad Janet is the depression comedy you never knew you needed.
Janet - The Story of a Governess is an unchanged, high-quality reprint of the original edition of 1891. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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Reprint of the original, first published in 1875.
AS FEATURED ON EMMA KENNEDY'S BOOKSHELF 'IMMERSIVE, AMAZING, REMARKABLE' MARIAN KEYES 'JANET ELLIS WRITES WITH TENDERNESS AND WISDOM' ERIN KELLY 'AN ATMOSPHERIC, CLEVER NOVEL THAT WILL GET UNDER YOUR SKIN' RED Marion Deacon sits by the hospital bed of her dying husband, Michael. Outwardly she is, as she says, an unremarkable old woman. She has long concealed her history - and her feelings - from the casual observer. But as she sits by Michael's bed, she's haunted by memories from almost forty years ago . . . Marion Deacon is a wife and mother, and not particularly good at being either. It's the 1970s and in her small village the Swinging 60s, the wave of feminism, the prospect of an exciting...
Janet is so determined to explore life's 'true essence', despite the countless hurdles in her way. But while she splashes around the deep end of the 'Pool of Life', could Janet be missing what's happening on dry land?
Step back in time to rural Scotland in the early 19th century with this charming memoir by Janet Bathgate. With wit and warmth, Bathgate recounts her childhood memories of growing up in the Yarrow Valley, offering a unique glimpse into a bygone era and a way of life that has all but disappeared. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An accessible close re-reading of Frame's novels and short stories from an autobiographical perspective. This study examines the whole of Janet Frame's output starting with the fiction (novels, short-stories and poems) before focusing on the two autobiographical novels, Owls do Cry and Faces in the Water, to end with the autobiographical trilogy, a sort of restorative prism inviting us to (re) read all her preceding works. It is the autobiography and its film version, An Angel at My Table (1990, directed by Jane Campion), that won her international fame. Frame's life is extraordinary, not only because she was spared a lobotomy by winning a prize for her collection of short stories, but also because writing from the 'rim of the farthest circle,' she provides food for thought for anyone interested in postcolonial and gender studies.