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A goat stays with a family of refugees during World War II but then they return to their homeland without the goat.
The critical essays in this volume examine themes such as family history, redefining gender, ethnic politics, identity in transnational contexts, and the Canadian writer's place in world literature in the works of Janice Kulyk Keefer.
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A collection of stories from Canada and Ukraine. Typical is Ways of Coping, set in 18th century Ukraine and written by Myrna Kostash, a Canadian-Ukrainian. As a Polish lord forces himself on his Ukrainian maid, the woman finds comfort in the thought the Cossacks will soon revenge her in kind.
In August of 1963, the women of Kalyna Beach prepare for their annual end-of-summer party. With their husbands away in the city all week, the women’s days are ruled by the predictable rhythms of children and chores, and lightened by the “racy” books they trade amongst themselves and their Friday afternoon meetings for gin and gossip. But this summer, everything will change for the girls and women of Kalyna Beach, as they gain a new understanding of the possibilities open to them all.
Winner of the 1999 CAA Canadian Authors Association Award for Poetry and shortlisted for the 1999 Pat Lowther AwardAcclaimed author of Rest Harrow and The Green Library, Janice Kulyk Keefer brings her passionate intelligencs to bear on the beauties and perplexities of these most perennial of human obsessions. The poems are notable for their alert, musical line as much as for their range and sophistication.
Katherine Mansfield, the New Zealand writer whose stunning career was cut short by tuberculosis, was "a woman with as many names as she had masks, as many roles as she had selves, most--perhaps all of them--false." Credited with revolutionizing the short story in English, yet often relegated to the fringes of the literary world, Katherine Mansfield was a contemporary of Virginia Woolf, who once said, famously, "She is the only writer I have ever been jealous of". In 1988, shortly before the centenary of Mansfield's birth, Monty, a New Zealand scholar, impulsively steals a letter intended for his writer-father, who has devoted his own life to the pursuit of Katherine Mansfield's. Intrigued by...
"As the child of immigrants, confronted by her own search for an identity rooted in countries separated by an ocean and generations" ... the author explores "the old place ... the village in Ukraine from which her mother's people emigrated to Canada, a village left but never quite left behind ..." through stories told to her in childhood, and the history of five generations of her family.
"On our way home, we stopped in Vegreville for one last look at the Pysanka-and, posing in front of it while my dad pulled out his camera, I wanted to cry. Are we doomed? Click. Is this all we are? Click. How do we drag ourselves out from under the shadow of the giant egg? Click." Conceived in a fervent desire for fresher, sexier images of Ukrainian culture in Canada, and concluding with a new reading of enduring cultural stereotypes, Leaving Shadows is the first Canadian book-length monograph on English Ukrainian writing, with substantive analysis of the writing of Myrna Kostash, Andrew Suknaski, George Ryga, Janice Kulyk Keefer, Vera Lysenko, and Maara Haas.
Whether living abroad or tourists on a journey, these travellers are all uprooted in some way. These short stories follow their characters through the elegance of Europe, the imagined passion of England and North America, or simply from uncertain youth to the end of life.