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In 1955, Jenny Van Horne was a 21-year-old, naive Bennington College graduate on her own for the first time in New York City when she met 46–year–old Clement Greenberg who, she is told, is "the most famous, the most important, art critic in the world" and soon finds herself swept into his world and the heady company of Hans Hofmann, Willem de Kooning, Franz Kline, David Smith, Helen Frankenthaler, among others. Seven months later, as a new bride, Jenny and Clem spend the summer in East Hampton near Jackson Pollock and Lee Krasner, and she feels even more keenly like an interloper in the inner circle of the art scene. A woman disowned by her anti–Semitic family for marrying a Jew, she w...
In 1955, Jenny Van Horne was a 21-year-old, naive Bennington College graduate on her own for the first time in New York City when she met 46–year–old Clement Greenberg who, she is told, is "the most famous, the most important, art critic in the world" and soon finds herself swept into his world and the heady company of Hans Hofmann, Willem de Kooning, Franz Kline, David Smith, Helen Frankenthaler, among others. Seven months later, as a new bride, Jenny and Clem spend the summer in East Hampton near Jackson Pollock and Lee Krasner, and she feels even more keenly like an interloper in the inner circle of the art scene. A woman disowned by her anti–Semitic family for marrying a Jew, she w...
Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape...
For slaves fleeing captivity, the Underground Railroad was the most viable means of escape, and with over three thousand miles of clandestine routes and secret trails, Ohio had the country's most extensive network of safe houses. A great number of these passageways were concentrated throughout the state's east central region, particularly the inland channels of Coshocton, Holmes and Guernsey Counties and the now-famous canal route, a major conduit winding through Tuscarawas and Stark Counties. Similarly, runaways sought refuge in the hills and valleys of Harrison County, as well as in the Quaker stronghold of Columbiana County. Using the letters of Wilbur H. Seibert, along with contemporary photographs of area safe houses, Janice VanHorne-Lane provides an intimate account of east central Ohio's profound contributions to the Underground Railroad and its mission, freedom for all.
Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with...
In The Harold Letters, Janice Van Horne, Clement Greenberg’s widow, has gathered together Greenberg’s letters as a young man to his then friend and confidant, Harold Lazarus. Spanning fifteen years, this collection of letters intimately chronicles the development of Greenberg’s taste and ideas. The Harold Letters is frequently funny and always candid, revealing the young Greenberg’s passion, ambition, and intellectualism that would lead to his future status as the greatest art critic of the twentieth century.
Make decorative, simple do-it-yourself projects with this friendly guide to paper crafting. You and your family will love to spend hours making beautiful paper art, jewelry, and decorations with All Things Paper. This easy paper crafts book comes with simple-to-follow instructions and detailed photos that show you how to create colorful and impressive art objects to display at home--many of which have practical uses. It is a great book for experienced paper craft hobbyists looking for new ideas or for new folders who want to learn paper crafts from experts. Projects in this papercrafting book include: Candle Luminaries Citrus Slice Coasters Mysterious Stationery Box Everyday Tote Bag Silver ...
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Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable...