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Whose People?
Wales has a centuries-long history of interest in Palestine and Israel, and a particularly close interest in Jews and Zionism, which has been expressed widely in the literature. Whose People? Wales, Israel, Palestine is the first monograph to explore this subject. It asks difficult and probing questions about the relationship that Wales has had with Palestine in the past, and now has with the Israel-Palestine situation in the present, and it challenges received wisdom about Welsh tolerance and liberalism. Using publications in Welsh and in English across several centuries, this survey examines Welsh missionary efforts and colonial desires in Palestine; complex and contradictory attitudes to ...
Losing Israel
In Losing Israel the search for her family's past and the part her forebears played in the newly created Israel reveals unsettling knowledge about kibbutzim in northern Israel. Challenged by this new and unwonted information Donahaye's notion of history and her understanding of Israel, of her grandparents and of her identity is challenge. In 2007, in a chance conversation with her mother, a kibbutznik, Jasmine Donahaye stumbled upon the collusion of her family in the displacement of Palestinians in 1948. She set out to learn the story of what happened, and discovered an earlier and rarely discussed piece of history during the British Mandate in Palestine. Her discoveries challenged everythin...
Self-Portrait As Ruth
Rooted in a Jewish family history that reaches into 19th-century Ottoman Palestine, Self-Portrait as Ruth is written in defiance of all official versions of Israeli or Palestinian history. A challenging, aching, honest exploration of culpability, this lament will incite controversy and debate. These poems are interrogations of the first-person possessive--of claims, both singular and plural, to land, to identity, to history, and to the body--and of wounds and victimization, both unique and collective.
Birdsplaining
In pursuit of moments of feeling 'sharply alive' and confronting fear of the body's betrayals, Birdsplaining is focused unapologetically on the uniqueness of women's experience of nature and constraints placed upon it. Sometimes bristling, always ethical, it upends familiar ways of seeing the natural world.
The Greatest Need
The first full biography of Lily Tobias (1887-1984) a Jewish writer from Wales: a courageous, idealistic woman who wrote compellingly about Jewish life and experience in the 20th century. Lily Tobias wrote four novels, and a collection of short stories and the first dramatization for the stage of Daniel Deronda. Her fiction was always topical and drew on her own unique mix of cultures, focusing on her compassionate pacifism and desire for equity for all.
Women, Identity and Religion in Wales
It is a study of the relationship between identity and religion in women’s lives in Wales today. It will help the reader have a better and more comprehensive understanding of the religious context in Wales to the present day. It will introduce the reader to theological and religious themes as well as reflections on identity in the work of several key female Welsh writers – Menna Elfyn, Jasmine Donahaye, Jam Morris, Charlotte Williams and Mererid Hopwood. It will help the reader to engage with issues of Welsh identity and religion and gain insight into challenges facing the churches today and engage with the lived experience of women in Wales.
The Jews of Wales
This study considers Welsh Jewry as a geographical whole and is the first to draw extensively on oral history sources, giving a voice back to the history of Welsh Jewry, which has long been a formal history of synagogue functionaries and institutions. The author considers the impact of the Second World War on Wales’s Jewish population, as well as the importance of the Welsh context in shaping the Welsh-Jewish experience. The study offers a detailed examination of the numerical decline of Wales’s Jewish communities throughout the twentieth century, and is also the first to consider the situation of Wales’s Jewish communities in the early twenty-first, arguing that these communities may be significantly fewer in number and smaller than in the past but they are ever evolving.
All Come to Dust
Marcia Pullman has been found dead at home in the leafy suburbs of Bulawayo. Chief Inspector Edmund Dube is onto the case at once, but it becomes increasingly clear that there are those, including the dead woman's husband, who do not want him asking questions. The case drags Edmund back into his childhood to when his mother's employers disappeared one day and were never heard from again, an incident that has shadowed his life. As his investigation into the death progresses, Edmund realises the two mysteries are inextricably linked and that unravelling the past is a dangerous undertaking threatening his very sense of self.
The Cambridge Companion to British Fiction since 1945
This Companion offers a compelling engagement with British fiction from the end of the Second World War to the present day. Since 1945, British literature has served to mirror profound social, geopolitical and environmental change. Written by a host of leading scholars, this volume explores the myriad cultural movements and literary genres that have affected the development of postwar British fiction, showing how writers have given voice to matters of racial, regional and sexual identity. Covering subjects from immigration and ecology to science and globalism, this Companion draws on the latest critical innovations to provide insights into the traditions shaping the literary landscape of modern Britain, thus making it an essential resource for students and specialists alike.
Transatlantic Connections
In this series of textual readings and cultural comparisons, M. Wynn Thomas explores Whitman’s amazing ability to appeal across distances and centuries. The book’s contrasting sections reflect the two locations studied: the first shows Whitman in his time and place, while the second repositions him within the cultures of England and Wales from the late 19th to the late 20th century. In the opening chapter he is placed against the vivid, outrageous background of the New York of his time; the second finds evidence in his poetry of a critique of the new urban politics of the emerging city boss; the third radically redefines Whitman's relationship to his famous contemporary Longfellow. Other...
