Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Attention All Typewriters
Lewis Carrol meets Allen Ginsberg.... This is poetry about an angel-poet, wings paper-clipped, seeking spiritual food in the modern office cubicle. He pecks away at office-machinery (à la Dilbert) and dreams among his fellow stick men and women of being a Wordsworthian visionary -- or at least an "action figureen." Jason Camlot is a scholar of Victorian nonsense and humorous verse and these poems are a 'howl' amidst the "slithy borogroves" sort of affair, a wild, brilliantly refitted variety theater act. Other pieces, equally wan, hilarious, noir, plumb nineteen thirties Hollywood (and present day movieland) hijinks, Hemingway's war-with-booze style, and the dark obsessions of Important Men. The writer and his writing is 'past' conscious, but completely versed in contemporary Canadian and American poetry. This is an immensely funny, witty, up-to-date collection -- zany, zippy, and zine-y!
What the World Said
When not-very-religious Montreal poet Jason Camlot's father died, he decided to practice the strict one-year period of mourning of the religious Jew, which included attending synagogue every single day. What The World Said, Camlot's fourth full poetry collection, is an updated Kaddish for the post-google age, exploring the meaning of ignorance in the face of deathÑignorance of how to practice sadness and rituals of mourning, and of how properly to experience longing and loss. Camlot manipulates a wide range of forms to mine the relationship between the most intimate kinds of grief and the impersonal flood of discourse that the world pours upon us.
Vlarf
Holmes entered the cabinet / of the respectable reverend / (who was in fact a closet naturalist) / and found so many Victorian things. In the early 2000s flarf poetry emerged as an avant-garde movement that generated disturbing and amusing texts from the results of odd internet searches. In Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry. Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emul...
Style and the Nineteenth-Century British Critic
In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when ...
The Animal Library
The Animal Library marks the debut of a remarkable poet ó a poet of the flesh, his own and that of the animals he has lived with all his life, whether real or imaginary. Jason Camlotís father was a furrier and he grew up in a world where, inevitably, ìbaby fur gets in your eyesî or in ìyour mouth.î In dreams, the poet becomes a whale corpse ìwashed up/ on a very pale beach/ and hundreds of flies came,/ and people,/ to see the tusk,/ spun like coral glass.î And as the boy grows up, images, at once curiously literal and yet surreal ó images of being devoured or skinned alive ó stay with him. The beauty of this collection is one of the mot juste, a concreteness and precision, coupled with a superb sense of rhythm. ó Marjorie Perloff Critical Comment ì...Camlotís graphic exactness adds to the power of his vivid, animated images.î ó Betty Goodwin ì...Camlotís style is rich and telling, taking us from smutty Chicago to ancient Greece, from the 19th century Decadents to modern biological polemics.î ó Hour, 2001
The Debaucher
The Debaucher, Jason Camlot's third collection of poetry, walks an oscillating lyrical tightrope between realms of cosmopolitan sophistication and ribald hilarity.In these surprising poems high art and low art gather together, sometimes on the battlefield, sometimes at lover's leap. Camlot's poetry always maintains an evocative connection to the tender absurdities of our daily lives. He makes us laugh, nervously, at ourselves.
Phonopoetics
Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literar...
Phonopoetics
From the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of literature
CanLit Across Media
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by exa...
Language Acts
Language Acts brings together twenty provocative essays on the state of English-language poetry in Québec since 1976. Born and raised during this historically resonant period of Trudeauism, organized Québecois nationalism, language legislation, and profound demographic and cultural change, Anglo-Québec poetry has come of age in the 21st century as a literature with its own distinct arguments about itself, and its own poetical acts in language. Language Acts features essays on many important, even canonical, figures such as Robert Allen, Anne Carson, Leonard Cohen, Louis Dudek, D.G. Jones, Irving Layton, Michael Harris, Erin Mouré, David McGimpsey, Robyn Sarah, and Peter Van Toorn, and on a wide range of poetry activities including those of the Véhicule Poets and the Montreal Spoken Word scene. This is the first critical collection of its kind to appear in over forty years and will set the terms used to discuss English language poetry in Québec for years to come.
