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Soulmaker
Between 1908 and 1917, the American photographer and sociologist Lewis Hine (1874–1940) took some of the most memorable pictures of child workers ever made. Traveling around the United States while working for the National Child Labor Committee, he photographed children in textile mills, coal mines, and factories from Vermont and Massachusetts to Georgia, Tennessee, and Missouri. Using his camera as a tool of social activism, Hine had a major influence on the development of documentary photography. But many of his pictures transcend their original purpose. Concentrating on these photographs, Alexander Nemerov reveals the special eeriness of Hine's beautiful and disturbing work as never bef...
Writing the Global Riot
The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand ...
Rediscovering Traces of Memory
This much-updated edition of a ground-breaking book expands the broad coverage of its stimulating approach. With forty-five new photographs and accompanying essays, it convincingly demonstrates the complexity of the Jewish past in Polish Galicia and the attempts to memorialize its heritage, as well as the unexpected revival of Jewish life.
The Steerage and Alfred Stieglitz
When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that The Steerage, as it was soon called, would become a modernist icon and, from today’s vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitz’s ideas and sometimes-murky ambitions help us understand the picture’s achievements? How should we assess the photograph in relation to Stieglitz’s many writings about it? The authors of this book explore what The Steerage might mean in at least two senses—by itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the years—a photo-text work.
The New Chronology of the Bronze Age Settlement of Tepe Hissar, Iran
Tepe Hissar is a large Bronze Age site in northeastern Iran notable for its uninterrupted occupational history from the fifth to the second millennium B.C.E. The quantity and elaborateness of its excavated artifacts and funerary customs position the site prominently as a cultural bridge between Mesopotamia and Central Asia. To address questions of synchronic and diachronic nature relating to the changing levels of socioeconomic complexity in the region and across the greater Near East, chronological clarity is required. While Erich Schmidt's 1931-32 excavations for the Penn Museum established the historical framework at Tepe Hissar, it was Robert H. Dyson, Jr., and his team's follow-up work ...
Pictorial Photography and the American West, 1900-1950
This book is an investigation of the widely overlooked photographic style of pictorialism in the American West between 1900 and 1950 and argues that western pictorialist photographers were regionalists that had their roots in the formidable photographic heritage of the nineteenth-century American West.
From the Ashes of 1947
Navigating nostalgia and trauma, dreams and laments, identity(s) and homeland(s), this book explores the partition of undivided Punjab.
The Making of History
A Marxist scholar and historian, Irfan Habib has been a towering presence in the Indian intellectual scene for over four decades. His formidable intellectual reputation, established in the sixties with the publication of The Agrarian System of Mughal India, broadened as he became an authority in the entire area of Indian history from ancient to modern. Professor Habib's undiminished commitment to the cause of socialism is reflected in these highly original and bold analyses of Marxist historiography and theories of socialist construction. This volume comprises essays from scholars around the world representing the wide variety of Habib's interests and contributions. Ranging from history to politics and economics, the essays cover both the medieval period and modern India, as well as theories for the future of this emerging superpower. This special edition also features an essay by Irfan Habib, originally published as The Economic History of Medieval India: A Survey, covering the Delhi Sultanate, the Vijayanagara economy and the economy of Mughal India.
The Object of Jewish Literature
A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.
Vietnam and the Rise of Photojournalism
The Vietnam War gave rise to a brand new kind of journalism: photojournalism. Iconic photographs such as Napalm Girl not only changed journalism forever but also changed the minds of many Americans about their country's involvement in the war. This book contextualizes the war and demonstrates how modes of reporting can change the course of history.
