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The Cambridge Companion to Global Literature and Slavery
The Cambridge Companion to Global Literature and Slavery reveals the way recent scholarship in the field of slavery studies has taken a more expansive turn, in terms of both the geographical and the temporal. These new studies perform area studies-driven analyses of the representation of slavery from national or regional literary traditions that are not always considered by scholars of slavery and explore the diverse range of unfreedoms depicted therein. Literary scholars of China, Central Asia, the Middle East, and Africa provide original scholarly arguments about some of the most trenchant themes that arise in the literatures of slavery – authentication and legitimation, ethnic formation and globalization, displacement, exile, and alienation, representation and metaphorization, and resistance and liberation. This Cambridge Companion to Global Literature and Slavery is designed to highlight the shifting terrain in literary studies of slavery and collectively challenge the reductive notion of what constitutes slavery and its representation.
Hispanic-American Writers, New Edition
Presents a collection of critical essays analyzing modern Hispanic American writers including Junot Diaz, Pat Mora, and Rudolfo Anaya.
Fugitive Colors
Debut Historical Suspense Novel Wins IPPY Award for Best “Literary Fiction 2014” Stolen art, love, lust, deception, and revenge paint the pages of veteran journalist Lisa Barr’s debut novel, Fugitive Colors, an un-put-down-able page-turner. Booklist calls the WWII era novel, "Masterfully conceived and crafted, Barr’s dazzling debut novel has it all: passion and jealousy, intrigue and danger." Fugitive Colors asks the reader: How far would you go for your passion? Would you kill for it? Steal for it? Or go to any length to protect it? Hitler’s War begins with the ruthless destruction of the avant-garde, but there is one young painter who refuses to let this happen. An accidental spy...
From Tragedy to Apocalypse in American Literature
From Tragedy to Apocalypse in American Literature: Reading to Make Sense of Our Endings argues that imaginative literature is essential to comprehending contemporary threats to the survival of the human species and the preservation of our humanity. Atnip outlines a theory of reading which directs us to realities and imperatives that are ignored, denied, or distorted by dominant social conventions and habits of cognition. She then puts this theory into practice through readings of postwar American works by Robert Lowell, Wallace Stevens, Cormac McCarthy, and Norman Maclean. This book argues that these texts collectively educate us to a new ground of sense—the apocalyptic sublime—and the need for an unending effort to comprehend what it means to live a human life against this inhuman background.
Oshun's Daughters
Examines the ways in which the inclusion of African diasporic religious practices serves as a transgressive tool in narrative discourses in the Americas. Oshuns Daughters examines representations of African diasporic religions from novels and poems written by women in the United States, the Spanish Caribbean, and Brazil. In spite of differences in age, language, and nationality, these women writers all turn to variations of traditional Yoruba religion (Santería/Regla de Ocha and Candomblé) as a source of inspiration for creating portraits of womanhood. Within these religious systems, binaries that dominate European thoughtman/woman, mind/body, light/dark, good/evildo not function in ...
The Red Sea
The Red Sea has, from time immemorial, been one of the worldÕs most navigated spaces, in the pursuit of trade, pilgrimage and conquest. Yet this multidimensional history remains largely unrevealed by its successive protagonists. Intrigued by the absence of a holistic portrayal of this body of water and inspired by Fernand BraudelÕs famous work on the Mediterranean, this book brings alive a dynamic Red Sea world across time, revealing the particular features of a unique historical actor. In capturing this heretofore lost space, it also presents a critical, conceptual history of the sea, leading the reader into the heart of Eurocentrism. The Sea, it is shown, is a vital element of the modern philosophy of history. Alexis Wick is not satisfied with this inclusion of the Red Sea into history and attendant critique of Eurocentrism. Contrapuntally, he explores how the world and the sea were imagined differently before imperial European hegemony. Searching for the lost space of Ottoman visions of the sea, The Red Sea makes a deeper argument about the discipline of history and the historianÕs craft.
Narratives of Migration and Displacement in Dominican Literature
Establishing an interdisciplinary connection between Migration Studies, Post-Colonial Studies and Affect Theory, Méndez analyzes the symbolic interplay between emotions, cognitions, and displacement in the narratives written by and about Dominican and Dominican-Americans in the United States and Puerto Rico. He argues that given the historic place of creolization as a marker of national, cultural, and social development in the Caribbean and particularly the Dominican Republic, this cultural process is not magically annulled in Caribbean immigrations to the U.S. Instead, this book illustrates the numerous ways in which Dominicans’ subjective interpretation of their experiences of migration...
Uncanny Youth
Within the Euro-American literary tradition, Gothic stories of childhood and adolescence have often served as a tool for cultural propaganda, advancing colonialist, white supremacist and patriarchal ideologies. This book turns our attention to modern and contemporary Gothic texts by hemispheric American writers who have refigured uncanny youth in ways that invert these cultural scripts. In the hands of authors ranging from Octavio Paz and Maryse Condé to N. Scott Momaday and Carmen Maria Machado, Gothic conventions become a means of critiquing pathological structures of power in the space of the Americas. As fictional children and adolescents confront persisting colonial and neo-imperialist architectures, grapple with the everyday ramifications of white supremacist thinking, navigate rigged systems of socioeconomic power, and attempt to frustrate patterns of gendered, anti-queer violence, the uncanny and the nightmarish in their lives force readers to reckon affectively as well as intellectually with these intersecting forms of injustice.
Phonographic Memories
Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization.
Revolutions Aesthetic
The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project—a Ba'thist cultural revolution—sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. R...
