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A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance
A Prolegomenon to the Study of Paul examines foundational assumptions that ground all interpretations of the apostle Paul. This examination touches on several topics, invoking issues pertaining to truth, hermeneutics, canonicity, historiography, pseudonymity, literary genres, and authority. Underlying all of this is a guiding thesis, namely, that every encounter with Paul involves “Pauline Archimedean points,” or fixed points of reference that establish the measure for constructing any interpretation of Paul whatsoever. Building on this, the author interrogates various issues that inform the formation of these Pauline Archimedean points, in pursuit of an important but modest goal: to urge Pauline readers to engage in a modicum of self-reflection over the various considerations that precondition all of our efforts to comprehend Paul.
My life began as most lives do, but somewhere along the line it was realized that there were things about my life that were not “normal.” I further began to realize that I had no real foundation, no actual link to the people around me, so I began searching myself, and the result of this search is what landed on paper. My only way of dealing with the lies, chaos, and abuse that filled my young existence, was to put my thoughts and feelings down on paper, knowing that if I told people what was going inside, they would not believe me. This is what happened in my head, in my life, in my world, from ages 15 to 29. This is the result of growing up surrounded by ignorance, loathing, and hatred, when all I ever wanted was love and understanding…
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As an art form, puppet theater can inform society, and that can lead to breaking the cycle of suppression in a community. While this thesis is partly dedicated to the effect of suppressive culture on the individual and social identity, the vast portion of this work focuses on the importance of puppet theater.
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