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Cutting Performances
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde
The Ghosts of the Avant-Garde(s)
Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
Contours of the Theatrical Avant-garde
A critical history of avant-garde performance and the problematic relationship of text to performance
Restaging the Sixties
A dynamic exploration of eight radical theater collectives from the 1960s and 70s, and their influence on contemporary performance
Not the Other Avant-Garde
Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. ...
Hear Me Out
Sunday Times Bestseller 'I can't rewrite history; all I can do is be honest and wear my heart on my sleeve. It's really the only way I know. I want to show people the real me. Or perhaps remind them. Because, somewhere - amongst the nightclubs, the frocks and hairdos, the big chart hits, and the glamour of being a popstar - the other Sarah Harding got utterly lost. She's the one who's been forgotten. And all I want is for you to hear her out.' Sarah Harding is best known as the wild member of Girls Aloud, whose reputation for partying, drinking and dating made her a tabloid favourite. But where does the celebrity Sarah Harding end and the real Sarah begin? Faced with a devastating cancer diagnosis that turned her life upside down, Sarah has decided that now is the time to write her story. Her truth. This is Sarah Harding in her own words.
Jacques Tati
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Shadow State
FROM THE AWARD-WINNING JOURNALIST and #1 NEW YORK TIMES BESTSELLING AUTHOR OF COLLUSION A gripping investigative account of how Russia's spies helped elect Donald Trump, backed Brexit, murdered enemies and threatened the very basis of western democracy. NEW AND UPDATED EDITION 'Luke Harding is one of the best reporters in the world . . . [they are] an oustanding writer, stuck in the beating heart of political and criminal power, sinking their teeth in and never letting go.' ROBERT SAVIANO 'Shadow State raises fresh questions about the way the UK government has handled claims of Kremlin interference in Britain's democratic processes.' FINANCIAL TIMES 'If you doubt that hostile foreign powers ...
White Debt
When Thomas Harding discovered that his family had profited from slavery, he set out to interrogate the choices of his ancestors and Britain's role in this terrible history. His investigation took him to Demerara (now Guyana), the site of an uprising by enslaved people in 1823, the largest in the British Empire and a key trigger in the abolition of slavery. Charting the dramatic build-up to this landmark event through the eyes of four people - an enslaved man, a missionary, a colonist, and a slaveholder - Harding lays bare the true impact of years of unimaginable cruelty and incredible courage and asks how those who benefitted from slavery can take responsibility for the White Debt.
