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Future Imperfect
Examines the first eight cinematic adaptations of Dick's fiction in light of their literary sources.
The Postmodern Humanism of Philip K. Dick
In The Postmodern Humanism of Philip K. Dick, Jason Vest examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. Vest also explores Dick's literary relationship to Franz Kafka, Jorge Luis Borges, and Italo Calvino.
The West Wing
Informed by historical scholarship and media analysis, this book takes a critical look at the award-winning show from a wide range of perspectives. Media scholars Peter C. Rollins and John E. O’Connor make an important contribution to the field with an eclectic mix of essays, which translate the visual language of the onscreen politics of the series.
Interrogating The Shield
When The Shield first appeared on US television in March 2002, it broke ratings records with the highest audience-rated original series premiere in cable history. In the course of its subsequent seven-season run, the show went on to win international acclaim for its abrasive depiction of an urban American dystopia and the systemic political and juridical corruption feeding it. The first book dedicated to the analysis of this immensely successful series, Interrogating "The Shield" brings together ten critical essays, written from a variety of methodological and theoretical perspectives. Topics range from an exploration of the series’ derivation, genre, and production, to expositions of the ethics, aesthetics, and politics of the show. As may be expected from a multiauthored collection, this volume does not seek to present a homogenized account of The Shield. The show is variously applauded and critiqued. In their critical variety, however, the essays in this book are a testament to the cultural significance and creative complexity of the series. As such, they are a reminder of the renewed power of quality television drama today.
The X-Files and Literature
The X-Files and Literature: Unweaving the Story, Unraveling the Lie to find the Truth provides an innovative and valuable exploration of the groundbreaking television program. Although much academic work has been devoted to the social, psychological, and spiritual significance of The X-Files, until this collection none has fully addressed the series’ rich adaptation of literature to interrogate our perception, definition, or recounting of the “truth.” This collection not only unveils new twists and insights into expected connections between The X-Files and Gothic writers or with its modernist and post-modernist slants on narrative, plot, and characterization. The X-Files and Literature...
Windows into The West Wing
The West Wing, first broadcast in 1999, is thought by many to have been one of the most significant dramas shown on network television. Despite its overly idealized depiction of American political life, and blatant contradictions in the way we consider America, its values, its aspirations, and its behavior in the world, The West Wing nonetheless succeeds in attaining popular national and international aesthetic appeal. This book aspires to explain the appeal of the show by considering issues such as race, religion, sexuality, disability, and education--from both a practical and theoretical perspective--through the lenses of feminism, gender theory, Marxism, psychoanalytical theories, structuralism, poststructuralism, postcolonialism and more. It seeks to offer informative and revealing readings of one of the most significant television productions of recent times.
The Ridley Scott Encyclopedia
From his first feature film, The Duellists, to his international successes Alien, Blade Runner, Thelma and Louise, Black Hawk Down, Gladiator, and American Gangster, Ridley Scott has directed some of the most compelling films of the last 30 years. Apart from his work as a film director, Scott has engaged in a vast range of activities, including that as a designer, producer, film mogul, and advertising executive. The Ridley Scott Encyclopedia is the first book that focuses on all aspects of his work in a wide-ranging career that spans nearly 50 years. The entries in this encyclopedia focus on all aspects of his work and are divided into four categories. The first focuses on Ridley Scott's wor...
Teaching The Wire
HBO's critically acclaimed drama The Wire has seen increasing use as course material in college classrooms since the 2008 series finale. This collection of new essays discusses various approaches for using The Wire to bring the experiences of marginalized communities into the post-secondary classroom. The contributors cover a range of topics including leadership, sexuality, class, gender and race.
Philip K. Dick
Kucukalic looks beyond the received criticism and stereotypes attached to Philip K. Dick and his work and shows, using a wealth of primary documents including previously unpublished letters and interviews, that Philip K. Dick is a serious and relevant philosophical and cultural thinker whose writing offer us important insights into contemporary digital culture. Evaluating five novels that span Dick's career--from Martian Time Slip (1964) to Valis (1981)--Kucukalic explores the the intersections of identity, narrative, and technology in order to ask two central, but uncharted "Dickian" questions: What is reality? and What is human?
Contemporary Masculinities in the UK and the US
This book is about ways to understand masculinity as systemic and corporeal, structural and performative all at once. It argues that the tension between an understanding of “masculinity” in the singular and “masculinities” in the plural poses a problem that can better be understood in relation to a concomitant tension: between systems on the one hand, and bodies on the other - between abstract structures such as patriarchy, kinship or even language, and the various concrete forms taken by gendered, individuated corporeality. The contributions collected here investigate how masculinities become apparent, how they take shape and what systemic functions they have. What, they ask, are the relations between the abstract and corporeal, metaphorical and metonymic manifestations of masculinity? How are we to understand masculinity as a simultaneously systemic and corporeal, performative concept?
