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Distinguished in the field of Enochic studies, Gabriele Boccaccini led the way in June 2005 at the Third Enoch Seminar, entirely devoted to the Book of Parables in light of Second Temple Judaism and Christian origins. The unusual and compelling collection of essays found here reflects the spirit of sharing and dialogue that has made these seminars so popular and intriguing to scholars throughout the world.This third collection of essays from these historic meetings contains the observations and contemplations of forty-four scholars, includes a helpful introduction by Boccaccini detailing the history of the movement, and ends with likely prospects for future research and an extensive bibliography compiled by associate editor Jason von Ehrenkrook for further study.Enoch and the Messiah Son of Man will be a significant contribution for the understanding and discussion of ancient Judaism.
In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world – Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous “Assisi controversy” and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.
Resurrection of the dead represents one of the more enigmatic beliefs of Western religions to many modern readers. In this volume, C. D. Elledge offers an interpretation of some of the earliest literature within Judaism that exhibits a confident hope in resurrection. He not only aids the study of early Jewish literature itself, but expands contemporary knowledge of some of the earliest expressions of a hope that would become increasingly meaningful in later Judaism, Christianity, and Islam. Elledge focuses on resurrection in the latest writings of the Hebrew Bible, the Apocrypha, Pseudepigrapha, Dead Sea Scrolls, as well as the writings of other Hellenistic Jewish authors. He also incorporat...
The Oxford Handbook of the Apocrypha offers an overview of the various Apocrypha and relevant topics related to them by presenting updated research on each individual apocryphal text in historical context, from the late Persian and early Hellenistic periods to the early Roman era. The Handbook gives special attention to the place of the Apocrypha in the context of Early Judaism, the relationship between the Apocrypha and texts that came to be canonized, the role of women and female characters, the portrayal of gender and sexuality, the interplay between theology, ethics, and halakha, and the relationships between the Apocrypha and the Septuagint, as well as their reception history in the Western world.
The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in t...
The two Jewish works that are the subject of this volume, 4 Ezra and 2 Baruch, were written around the turn of the first century CE in the aftermath of the Roman destruction of the Second Temple. Both texts are apocalypses, and both occupy an important place in early Jewish literature and thought: they were composed right after the Second Temple period, as Rabbinic Judaism and early Christianity began to emerge. The twenty essays in this volume were first presented and discussed at the Sixth Enoch Seminar at the Villa Cagnola at Gazzada, near Milan, Italy, on June 26-30, 2011. Together they reflect the lively debate about 4 Ezra and 2 Baruch among the most distinguished specialists in the field. The Contributors are: Gabriele Boccaccini; Daniel Boyarin; John J. Collins; Devorah Dimant; Lutz Doering; Lorenzo DiTommaso; Steven Fraade; Lester L. Grabbe; Matthias Henze; Karina M. Hoogan; Liv Ingeborg Lied; Hindy Najman; George W.E. Nickelsburg; Eugen Pentiuc; Pierluigi Piovanelli; Benjamin Reynolds; Loren Stuckenbruck; Balázs Tamási; Alexander Toepel; Adela Yarbro Collins
This book contains a collection of poetry inspired by the award-winning canvas art of Zeal Artistry. The author prays that the words within bring readers peace, comfort, and joy in each season of growing.
How did New Testament authors use Israel’s Scriptures? Use, misuse, appropriation, citation, allusion, inspiration—how do we characterize the manifold images, paraphrases, and quotations of the Jewish Scriptures that pervade the New Testament? Over the past few decades, scholars have tackled the question with a variety of methodologies. New Testament authors were part of a broader landscape of Jewish readers interpreting Scripture. Recent studies have sought to understand the various compositional techniques of the early Christians who composed the New Testament in this context and on the authors’ own terms. In this landmark collection of essays, Matthias Henze and David Lincicum marsh...
Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day. The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy o...
Among the predominantly Hebrew collection of the Dead Sea Scrolls are twenty-nine compositions penned in Aramaic. While such Aramaic writings were received at Qumran, these materials likely originated in times before, and locales beyond, the Qumran community. In view of their unknown past and provenance, this volume contributes to the ongoing debate over whether the Aramaic texts are a cohesive corpus or accidental anthology. Paramount among the literary topoi that hint at an inherent unity in the group is the pervasive usage of the dream-vision in a constellation of at least twenty writings. Andrew B. Perrin demonstrates that the literary convention of the dream-vision was deployed using a ...