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Giotto's Arena Chapel and the Triumph of Humility
In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world – Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous “Assisi controversy” and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.
Giotto's Arena Chapel and the Triumph of Humility
"In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world - Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous "Assisi controversy" and cast new light on the debate around Giotto's authorship of the Saint Francis cycle?"--
Eclipse and Revelation
Two questions guide this seven-year project: First, how can we approach the phenomenon, representation, and interpretation of total solar eclipses? Second, how can we heal the historical divide separating the natural sciences from the humanities, arts, history, and theology? The result of this interdisciplinary investigation into eclipses is an exciting look behind the scenes - into labs, archives, and museums, as well as around fieldwork in astronomy, meteorology, animal behaviour, and ecophysiology. Carefully prepared for readers from all backgrounds, these voices invite us to imagine a liberated mode of discovery, perception, creativity, and knowledge-production across the traditional aca...
Dante, Artist of Gesture
A new approach to reading Dante's La Comedia Divinia through the lens of art history. Dante, Artist of Gesture brings Dante's canonical text into conversation with the visual art of his time to suggest the importance of visual cues to the reading and interpretation of the text itself.
Modernist Idealism
Italy at the Banquet of Nations: Hegel in Politics and Philosophy -- Italy's Modernist Idealism and the Artistic Reception of Schopenhauer -- Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy -- Avant-Garde Idealism: The Ambivalence of Futurist Vitalism -- Occult Spiritualism and Modernist Idealism: Reanimating the Dead World -- Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine.
Turks, Jews, and Other Germans in Contemporary Art
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German a...
Picturing Death 1200–1600
Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife. In doing so, this volume sheds light on issues that unite two periods—the Middle Ages and the Renaissance—that are often understood as diametrically opposed. The studies collected here cover a broad visual terrain, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture. Taken together, they present a picture of the ways that images have helped humans understand their own mortality, and have incorporated the deceased into the communities of the living. Contributors: Jessica Barker, Katherine Boivin, Peter Bovenmyer, Xavier Dectot, Maja Dujakovic, Brigit Ferguson, Alison C. Fleming, Fredrika Jacobs, Henrike C. Lange, Robert Marcoux, Walter S. Melion, Stephen Perkinson, Johanna Scheel, Mary Silcox, Judith Steinhoff, and Noa Turel.
The Art of Sculpture in Fifteenth-Century Italy
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Material Christianity
This collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem. The volume examines the material agency of objects, artifacts, and environments: art, ritual, pilgrimage, food, and philosophy. It studies the variable "senses” of materiality, the place of materiality in the formation of modern Western religion, and its role in Christianity’s dialogue with non-Western religions. The essays present new interpretations of religious rites and outlooks through the focus on their material components. They also suggest how material engagement theory - a new movement in cultural anthropology and archeology - may shed light on the cultural history of Christianity in medieval and early modern Europe and the Americas. It thus fills an important lacuna in the study of western religion by highlighting the longue durée, from the Middles Ages to the Modern Period, of a current dilemma, namely the divide between materialistic and what might broadly be called hermeneutical or cultural-critical approaches to religion and human subjectivity.
Giotto
"Thirty miles to the southwest of Venice, in a small park in Padua, lies a modest red brick building, the Scrovegni (or Arena) Chapel, that contains one of the jewels of Early Renaissance art: the most extensive fresco cycle by Giotto. Perfectly preserved, it established Giotto's genius for displacing the Byzantine style of painting and introducing the fundamental principles of Renaissance humanism into art. Painted around 1306, the nearly forty large frescoes that cover the walls and ceiling of the Chapel tell stories from the lives of the Virgin, Christ, and the Virgin's parents, Sts. Joachim and Anne. Created with a subtle yet brilliant array of colors - shimmering blues, golden reds, sub...
