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“When you love someone, you want to know all about his life and character, so as to become like him.” – St. Josemaria St. Josemaria spoke these words about the Lord Jesus, but they also apply to his Blessed Mother, Mary. The more we love Mary, the more we will want to know everything about her so as to become like her. The Maiden of Nazareth is a delightfully imaginative story that will help you get to know the Blessed Virgin Mary -- not as a statue in a church -- but as a living, breathing, human being. It follows her life from her immaculate conception and birth, up through her assumption into heaven, and it introduces you to the various characters that accompanied her along the way: Her parents Joachim and Anne, various cousins and relatives, her husband Joseph, Jesus, his apostles and various disciples and friends. You will feel like you know all of them much better after having read this book! This story is the fruit of many years of contemplating the life of the Blessed Virgin. Its primary source is the author’s imagination – an imagination fired by the love of the Blessed Virgin Mary.
A composer of singular vision. Joaquín Rodrigo (1901–1999) is best known as the composer of one of the most popular works of music in the twentieth century—the Concierto de Aranjuez for guitar and orchestra. It’s been featured in movies and television commercials and remains a staple of concert programs for orchestras around the world. Miles Davis said, “After listening to it for a couple of weeks…I couldn’t get it out of my mind,” and he used it as inspiration for his album Sketches of Spain. But as Javier Suárez-Pajares and Walter Aaron Clark reveal in this musical biography—the first complete study in English—Rodrigo’s work and influence extend far beyond that singul...
A musical biography that reveals Joaquín Rodrigo as a composer of unique vision.
'Unit of selection' is a polysemic expression, meaning interactor, replicator/reproducer or manifestor of adaptation/type-1 agent in today's biological research. This Element presents each of these concepts and demonstrates the necessity of their isolation.
In 'Music Criticism and Music Critics in Early Francoist Spain', Eva Moreda Rodríguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Carefully selecting contemporary writings by well-known music critics, Moreda Rodríguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards.--Publisher description.
Containing reviews written from January 2002 to mid-June 2004, including the films "Seabiscuit, The Passion of the Christ," and "Finding Nemo," the best (and the worst) films of this period undergo Ebert's trademark scrutiny. It also contains the year's interviews and essays, as well as highlights from Ebert's film festival coverage from Cannes.