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For readers of Jhumpa Lahiri and Rohinton Mistry, as well as Lorrie Moore and George Saunders, here are stories on the pathos and comedy of small–town migrants struggling to build a life in the big city, with the dream world of Bollywood never far away. Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost t...
Jayant's best stories are about little riddles and mysteries of life, which do not remain abstractions but translate into palpable experiences. Jayant's vision is that of a compassionate liberal humanist. He is, in fact, the master of a rare brand of lyricism which does not underplay or soften urban angst, but accentuates it.
Brit Kotwal Breaks His Legs Eleven Times Before He Is Five Years Old. His Teeth Crumble And Chip If He Tries To Bite Into Anything. It Was His Sister Dolly S Idea To Call Him Brit, Short For Brittle, Because Of His Bones. Besides, Parsees Don T Really Like Long First-Names, And It Pleased His Mother Sera Because It Sounded So English. It Was Fun Sometimes, Being Different. None Of The Other Children Drank Powdered Pearls In Their Milk, Or Had Almond Oil Rubbed Into Their Legs Until It Gleamed Like Bangalore Silk. And Brit Knew He Could Always Get His Own Way With Dolly Even If It Took A Little Blackmail. But When You Reach Eighteen And Are Still The Size Of An Eight Year Old, It Is Not Much Fun, And Brit Has To Begin To Try And Grow In His Own Way& Trying To Grow Is A Many-Splendoured Work Built Around The Experiences Of A Physically Handicapped Boy Turning Into Manhood, A Deeply Moving Story Told With A Remarkable Blend Of Directness, Humour And Irreverence.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile and awkward place in the world.
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Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
The extraordinary life of the man who founded Islam, and the world he inhabited - and remade. Muhammad's was a life of almost unparalleled historical importance; yet for all the iconic power of his name, the intensely dramatic story of the prophet of Islam is not well known. In The First Muslim, Lesley Hazleton brings him vibrantly to life. Drawing on early eyewitness sources and on history, politics, religion, and psychology, she renders him as a man in full, in all his complexity and vitality. Hazleton's account follows the arc of Muhammad's rise from powerlessness to power, from anonymity to renown, from insignificance to lasting significance. How did a child shunted to the margins end up...
For readers of Jhumpa Lahiri and Rohinton Mistry, as well as Lorrie Moore and George Saunders, here are stories on the pathos and comedy of small–town migrants struggling to build a life in the big city, with the dream world of Bollywood never far away. Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost t...
Eva Traube Abrams, a semiretired librarian in Florida, is at the returns desk one morning when her eyes lock on to a photograph in a newspaper nearby. She freezes; it's an image of a book she hasn't seen in sixty-five years--a book she recognizes as the Book of Lost Names. The accompanying article describes the looting of libraries across Europe by the Nazis during World War II--an experience Eva remembers all too well. As a graduate student in 1942, Eva was forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town in the Free Zone, she begins forging identity documents for Jewish children fleeing to neutral Switzerland. But erasing people com...
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