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A Working Woman: The Remarkable Life of Ray Strachey is a traditional biography of a very untraditional woman. Tug-of-love child, Ward in Chancery, pampered schoolgirl, pioneer car driver, would-be electrical engineer, triumphant suffragist, political lobbyist, historian, biographer, novelist, journalist, broadcaster, well-known public figure, enthusiastic bricklayer, devoted mother, despairing stepmother, neglected wife: Ray Strachey was all of these and more. Bertrand Russell taught her maths; John Maynard Keynes fell (a little) in love with her; Virginia Woolf was over-awed by her; Millicent Garrett Fawcett and Nancy Astor depended on her. She inspired admiration in men and gratitude clos...
In 1925, the 22-year-old Kenneth Clark (1903–1983) and the legendary art critic and historian Bernard Berenson (1865–1959) met in Italy. From that moment, they began a correspondence that lasted until Berenson's death at age 94. This book makes available, for the first time, the complete correspondence between two of the most influential figures in the 20th-century art world, and gives a new and unique insight into their lives and motivations. The letters are arranged into ten chronological sections, each accompanied by biographical details and providing the context for the events and personalities referred to. They were both talented letter writers: informative, spontaneous, humorous, gossipy, and in their frequent letters they exchanged news and views about art and politics, friends and family life, collectors, connoisseurship, discoveries, books read and written, and travel. Berenson advised Clark on his blossoming career, warning against the museum and commercial art worlds while encouraging his promise as a writer and interpreter of the arts. Above all, these letters trace the development of a deep and intimate friendship.
This study includes such figures as Henry James, Bernard Berenson, and Gertrude Stein, and their activities in travel writing, art criticism, and art hostessing. According to the book, this study "probes the developments of Eurocentric high culture both in its own terms--in terms, that is, of authorship--and in its broader-based connections to cultural institutions and American society more generally." Topics discussed include the travel writer as pilgrim, Impressionism and cultural authority, art hostesses and women's high-cultural authority, and career authority and the public in high culture. Author information is not given. Annotation copyrighted by Book News, Inc., Portland, OR
Using the lives of the Sassoon siblings as a lens through which to view English life, particularly in its highest reaches, Stansky offers new insights into British attitudes toward power, politics, old versus new money, homosexuality, war, Jews, taste and style."--BOOK JACKET.
This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.
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An investigation into Wharton’s extensive use and adaptation of the Gothic in her fiction. Gender and the Gothic in the Fiction of Edith Wharton is an innovative study that provides fresh insights into Wharton’s male characters while at the same time showing how Wharton’s imagining of a fe/male self evolves throughout her career. Using feminist archetypal theory and theory of the female Gothic, Kathy A. Fedorko shows how Wharton, in sixteen short stories and six major novels written during four distinct periods of her life, adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them Edith...
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In the 21st century, political debates appear to center on fundamental conflicts between “the people” and “elites.” Most of these discussions emphasize strategies to protect and empower the oppressed masses against a predatory ruling class. Much of classical political thought, however, was written from an aristocratic point of view: that is, it ascribed paramount importance to the question of elite formation. Assuming inequality as a permanent feature of human associations, what virtues would elites need to have, what institutions and traditions would cultivate the best qualities in members of the ruling class, and curb their extravagances. Aristocratic Voices: Forgotten Arguments ab...
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait o...