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A Working Woman: The Remarkable Life of Ray Strachey is a traditional biography of a very untraditional woman. Tug-of-love child, Ward in Chancery, pampered schoolgirl, pioneer car driver, would-be electrical engineer, triumphant suffragist, political lobbyist, historian, biographer, novelist, journalist, broadcaster, well-known public figure, enthusiastic bricklayer, devoted mother, despairing stepmother, neglected wife: Ray Strachey was all of these and more. Bertrand Russell taught her maths; John Maynard Keynes fell (a little) in love with her; Virginia Woolf was over-awed by her; Millicent Garrett Fawcett and Nancy Astor depended on her. She inspired admiration in men and gratitude clos...
This study includes such figures as Henry James, Bernard Berenson, and Gertrude Stein, and their activities in travel writing, art criticism, and art hostessing. According to the book, this study "probes the developments of Eurocentric high culture both in its own terms--in terms, that is, of authorship--and in its broader-based connections to cultural institutions and American society more generally." Topics discussed include the travel writer as pilgrim, Impressionism and cultural authority, art hostesses and women's high-cultural authority, and career authority and the public in high culture. Author information is not given. Annotation copyrighted by Book News, Inc., Portland, OR
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Matthew W. Slaboch examines the work of German philosophers Arthur Schopenhauer and Oswald Spengler, Russian novelists Leo Tolstoy and Aleksandr Solzhenitsyn, and American historians Henry Adams and Christopher Lasch—rare skeptics of the idea of progress who have much to offer political theory, a field dominated by historical optimists.
Using the lives of the Sassoon siblings as a lens through which to view English life, particularly in its highest reaches, Stansky offers new insights into British attitudes toward power, politics, old versus new money, homosexuality, war, Jews, taste and style."--BOOK JACKET.
"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait o...
In her last years she watched with dismay the emergence of fascism.".
Women's Lives/Women's Times reflects the growing interest in life-writing as a basis for both feminist theorizing and women-centered education. It discusses the many ways in which the study of autobiography can contribute to the theory, practice, and politics of women's studies as curriculum, and to feminist theory more generally. This volume is concerned with the application of theory to text—particularly with the assumptions and discourses of postmodernism—but also in exploring how general theories of the subject do not always fit comfortably with the specifics of autobiographical writing. It also recognizes the challenge women's autobiography offers to theory, taking us, in its complex weave of the personal, the political, and the theoretical, beyond the usual generic and disciplinary boundaries.