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The Obsidian Staff: Back cover description In the Kingdom of Harkimer, a wizard has emerged with a weapon of unrivaled power: the obsidian staff. With it, he seeks to end the dark wizards' exile to the Southern Mountains almost eight centuries prior. But a prophecy haunts him. A girl with unusual gifts will appear and will prove either his greatest enemy, or ally, in his quest to conquer the land of Ilian. The only problem? The girl has disappeared. She has no memories of her past, her identity, or the prophecy. As her friends and foes race to find her, the girl must quickly remember who she is - and uncover her destiny to determine the fate of her forgotten home. Jaz Azari is a young adult fantasy fiction author currently working on the second novel in The Lost Legacy Series, The First Conquest. She is also the author of the stand-alone novel, The Noble Rogues. Learn more at www.thelostlegacyseries.com. Keywords: Fantasy, Young Adult, Magic, Philosophy, Adventure, Action, Wizard, Legend, Chronicles, Psychology
During combat, soldiers make life-and-death choices dozens of times a day. These individual decisions accumulate to determine the outcome of wars. This work examines the theory and practice of military ethics in counterinsurgency operations. Marcus Schulzke surveys the ethical traditions that militaries borrow from; compares ethics in practice in the US Army, British Army and Royal Marines Commandos, and Israel Defense Forces; and draws conclusions that may help militaries refine their approaches in future conflicts. The work is based on interviews with veterans and military personnel responsible for ethics training, review of training materials and other official publications, published accounts from combat veterans, and observation of US Army focus groups with active-duty soldiers. Schulzke makes a convincing argument that though military ethics cannot guarantee flawless conduct, incremental improvements can be made to reduce war’s destructiveness while improving the success of counterinsurgency operations.
The Poetics of Crime provides an invitation to reconsider and reimagine how criminological knowledge may be creatively and poetically constructed, obtained, corroborated and applied. Departing from the conventional understanding of criminology as a discipline concerned with refined statistical analyses, survey methods and quantitative measurements, this book shows that criminology can - and indeed should - move beyond such confines to seek sources of insight, information and knowledge in the unexplored corners of poetically and creatively inspired approaches and methodologies. With chapters illustrating the ways in which criminologists and other researchers or practitioners working on crime-...
In 2008 an Iraqi artist was waterboarded as performance art. In 2010 artists upturned police cars in Russia. But what exactly do we mean by militant art and aesthetics? Bringing together the philosophy of art and politics, Martin Lang provides a comprehensive examination of militant art activism: its history, its advocates and the aesthetic theory behind it. Protest art is not a new concept and yet this book argues that after the terrorist attacks of 9/11 distinctly 21st-century forms of art activism emerged. On the one hand these became militant as artists retained belief in the possibility of radical political change through art. On the other hand, this belief developed in a hostile enviro...
This book examines the normative debates around the American use of targeted killings. It questions whether the Obama administration’s defence of its use of targeted killings is cohesive or hypocritical. In doing so, the book departs from the disciplinary purpose of international law, constitutional law and the just war tradition and instead examines discipline-specific defences of targeted killings to identify their requisite normative principles in order to compare these norms across disciplines. The methodology used in this book means that it argues that targeted killings are only defensible as acts of war, but it also highlights the normative role of accountability and responsibility i...
Afghanistan was an unwinnable war. As British and American troops withdraw, discover this definitive account that explains why. It could have been a very different story. British forces could have successfully withdrawn from Afghanistan in 2002, having done the job they set out to do: to defeat al-Qaeda. Instead, in the years that followed, Britain paid a devastating price for their presence in Helmand province. So why did Britain enter, and remain, in an ill-fated war? Why did it fail so dramatically, and was this expedition doomed from the beginning? Drawing on unprecedented access to military reports, government documents and senior individuals, Professor Theo Farrell provides an extraord...
In this timely study, Inghilleri examines the interface between ethics, language, and politics during acts of interpreting, with reference to two particular sites of transnational conflict: the political and judicial context of asylum adjudication and the geo-political context of war. The book characterizes the social and moral spaces in which the translation of the spoken word occurs in ways that reflect the realities of the trans-nationally constituted, locally and globally informed environments in which interpreters work alongside others. One of the core arguments is that the rather restricted notion of neutrality that remains central to translator and interpreter practices does not adequately reflect the complex and paradoxical nature of these socially and politically inscribed encounters and others like them. This study offers an alternative theoretical perspective on language and ethics to those which have shaped and informed translation and interpreting theory and practice in recent years.
In Guarding the Periphery: The Australian Army in Papua New Guinea, 1951-75, Tristan Moss explores the operational, social and racial aspects of this unique force during the height of the colonial era in PNG and during the progression to independence.
The volume examines the experiences of professional Western combat soldiers' training and operations in Iraq, and seeks to explain the culture, motivations, and capabilities of the professional soldier in the twenty-first century.
Immigrants to the United States have long used the armed forces as a shortcut to citizenship. Cristina-Ioana Dragomir profiles Lily, Alexa, and Vikrant, three immigrants of varying nationalities and backgrounds who chose military service as their way of becoming American citizens. Privileging the trio’s own words and experiences, Dragomir crafts a human-focused narrative that moves from their lives in their home countries and decisions to join the military to their fraught naturalization processes within the service. Dragomir illuminates how race, ethnicity, class, and gender impacted their transformation from immigrant to soldier, veteran, and American. She explores how these factors both eased their journeys and created obstacles that complicated their access to healthcare, education, economic resources, and other forms of social justice. A compelling union of analysis and rich storytelling, Making the Immigrant Soldier traces the complexities of serving in the military in order to pursue the American dream.