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Caring for the Living Soul
Caring for the Living Soul identifies the fundamental role emotions played in the development of learned medicine and in the formation of the social role of the "physicians of the body" in the western Mediterranean between 1200 and 1500. The book explores theoretical debates and practical advice concerning the treatment of the "accidentia anime" in diverse medical sources. Contextualizing this literature within the developments in natural philosophy and pastoral theology during the period, and alongside local and social contexts of medical practice, emotions are revealed to have been a malleable topic through which change and innovation in the field of medicine transpired. Bringing together a wide range of untapped sources and creating connections between emotions, religious authorities, and medical practitioners, this study sheds light on the centrality of the discourses of emotions to the formation of the social fabric.
Eating and Being
What we eat, who we are, and the relationship between the two. Eating and Being is a history of Western thinking about food, eating, knowledge, and ourselves. In modern thought, eating is about what is good for you, not about what is good. Eating is about health, not about virtue. Yet this has not always been the case. For a great span of the past—from antiquity through about the middle of the eighteenth century—one of the most pervasive branches of medicine was known as dietetics, prescribing not only what people should eat but also how they should order many aspects of their lives, including sleep, exercise, and emotional management. Dietetics did not distinguish between the medical an...
Early Modern Herbals and the Book Trade
In the early modern herbal, Sarah Neville finds a captivating example of how Renaissance print culture shaped scientific authority.
Commercial Visions
In "Commercial Visions," Daniel Margocsy shows how entrepreneurial science has been with us since the Scientific Revolution. Product marketing, patent litigation, and even ghostwriting pervaded natural history and anatomy, the big sciences of the early modern era, and the growth of global trade during the Dutch Golden Age gave rise to a transnational network of such entrepreneurial science, connecting natural historians, physicians, and curiosi in such cities as Amsterdam, London, St. Petersburg, and Danzig. These practitioners were out to do business: they bought and sold exotica, preserved specimens, anatomical prints, and botanical atlases, and in their trade relied on particularly mercan...
Visualizing Medieval Medicine and Natural History, 1200–1550
Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What...
The Cambridge History of Science: Volume 2, Medieval Science
This volume in the highly respected Cambridge History of Science series is devoted to the history of science in the Middle Ages from the North Atlantic to the Indus Valley. Medieval science was once universally dismissed as non-existent - and sometimes it still is. This volume reveals the diversity of goals, contexts and accomplishments in the study of nature during the Middle Ages. Organized by topic and culture, its essays by distinguished scholars offer the most comprehensive and up-to-date history of medieval science currently available. Intended to provide a balanced and inclusive treatment of the medieval world, contributors consider scientific learning and advancement in the cultures associated with the Arabic, Greek, Latin and Hebrew languages. Scientists, historians and other curious readers will all gain a new appreciation for the study of nature during an era that is often misunderstood.
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Plotting Gothic
A historian of medieval art and architecture with a rich appreciation of literary studies, Stephen Murray brings all those fields to bear on a new approach to understanding the great Gothic churches of the twelfth and thirteenth centuries. Plotting Gothic positions the rhetoric of the Gothic as a series of three interlocking plots: a spatial plot tied to the material construction of the churches, a social plot stemming from the collaborative efforts that made Gothic output possible, and a rhetorical plot involving narratives that treat the churches as objects of desire. Drawing on the testimony of three witnesses involved in church building—Abbot Suger of Saint-Denis, Gervase of Canterbury, and the image maker Villard de Honnecourt—and a range of secondary sources, Murray traces common patterns in the way medieval buildings were represented in words and images. Our witnesses provide vital information about the way the great churches of Gothic were built and the complexity of their meanings. Taking a fresh approach to Gothic architecture, Plotting Gothic offers an invigorating new way to understand some of the most lasting achievements of the medieval era.
Titian's Touch
At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experi...
1996 Chacahoula
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