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Jean-Bernard Pouy
  • Language: fr
  • Pages: 186

Jean-Bernard Pouy

  • Type: Book
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  • Published: 1996
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  • Publisher: Méréal

None

Paris Noir
  • Language: en
  • Pages: 294

Paris Noir

Takes readers on a ride into the old medieval quarter of Paris with its winding streets, ghosts and secrets buried in history. Not only an homage to the crime fiction genre, Paris Noir is also an invitation to some of the best French fiction and offers readers an explosive and poetic cocktail of crime, gunfights and twisted love stories.

The Big Book of Dummies, Rebels and Other Geniuses
  • Language: en
  • Pages: 123

The Big Book of Dummies, Rebels and Other Geniuses

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

An entertaining and humorous introduction to 26 famous individuals from history, the arts, literature and the sciences, who were considered rebels or dunces during their childhood and teen years.

The Pleasures of Crime
  • Language: en
  • Pages: 262

The Pleasures of Crime

  • Type: Book
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  • Published: 2011-12
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  • Publisher: Rodopi

For 150 years the French public and literati have enjoyed a love affair with crime fiction. This book investigates the nature of this relationship and how through periods of dramatic social and political change in France it has flourished. It challenges the conventional view of a popular genre feeding a niche market, depicting crime fiction instead as a field of creative endeavour, which has gradually matured into one of considerable literary fertility. By inviting us to share secrets and crack codes, creating suspense and (at times) not shirking from presenting horrific events in graphic language, the crime story brings into play the intellect and emotions of its readership. This book explo...

Colin Wilson
  • Language: en

Colin Wilson

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

The classic study of existential despair, The Outsider brought Wilson instant fame, followed by revilement by those same critics who had previously hailed him. Now in his seventy-fourth year the writer and philosopher sums up his thinking. He brings new thoughts to bear on his work, and clearly illustrates the discoveries he has made, showing how these can provide an antidote to the pessimism of 20th Century thought. At the core of his philosophy are the concepts of 'intentionality' and the 'peak experience'. Wilson shows us that if we will only open our eyes and direct perception properly we can use our minds in the most positive sense, to change ourselves and the world around us. Wilson also talks about his writings on philosophy, criminology and the occult. Sometimes controversial, often challenging and always interesting, this interview by writer and journalist Brad Spurgeon, conducted at the author's home in Gorran Haven, in Cornwall,

French Crime Fiction, 1945–2005
  • Language: en
  • Pages: 231

French Crime Fiction, 1945–2005

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.

Indian Country Noir
  • Language: en
  • Pages: 290

Indian Country Noir

Enter the dark welter of troubled history throughout the Americas, where a heritage of violence meets the ferocity of intent. This sharp, stylised and ambitious anthology of Native American literature sees authors of Indian heritage or blood join non-Indian authors in creating these diverse, gripping, dubious and sleazy stories. Includes contributions from award-winning author Reed Farrel Coleman and Lawrence Block, author of Hit and Run (Orion, 2009).

Towards the Multilingual Semantic Web
  • Language: en
  • Pages: 339

Towards the Multilingual Semantic Web

  • Type: Book
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  • Published: 2014-11-13
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  • Publisher: Springer

To date, the relation between multilingualism and the Semantic Web has not yet received enough attention in the research community. One major challenge for the Semantic Web community is to develop architectures, frameworks and systems that can help in overcoming national and language barriers, facilitating equal access to information produced in different cultures and languages. As such, this volume aims at documenting the state-of-the-art with regard to the vision of a Multilingual Semantic Web, in which semantic information will be accessible in and across multiple languages. The Multilingual Semantic Web as envisioned in this volume will support the following functionalities: (1) respondi...

Rewriting Wrongs
  • Language: en
  • Pages: 215

Rewriting Wrongs

Rewriting Wrongs: French Crime Fiction and the Palimpsest furthers scholarly research into French crime fiction and, within that broad context, examines the nature, functions and specificity of the palimpsest. Originally a palaeographic phenomenon, the palimpsest has evolved into a figurative notion used to define any cultural artefact which has been reused but still bears traces of its earlier form. In her 2007 study The Palimpsest, Sarah Dillon refers to “the persistent fascination with palimpsests in the popular imagination, embodying as they do the mystery of the secret, the miracle of resurrection and the thrill of detective discovery”. In the context of crime fiction, the palimpsest is a particularly fertile metaphor. Because the practice of rewriting is so central to popular fiction as a whole, crime fiction is replete with hypertextual transformations. The palimpsest also has tremendous extra-diegetic resonance, in that crime fiction frequently involves the rewriting of criminal or historical events and scandals. This collection of essays therefore exemplifies and interrogates the various manifestations and implications of the palimpsest in French crime fiction.

At the Beach
  • Language: en
  • Pages: 388

At the Beach

Around the world, when people think of vacation it's the beach they want--even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our fears and dreams? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions. Urbain traces the transformation of the beach from a place of mythological threats and a demanding workplace fraught with danger to a destination for medical treatment and the pursuit of pleasure. He looks to the emergence of the mo...