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The Bressonians
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
The Essential Cinema
Essays on films in the collection of Anthology Film Archives.
Robert Bresson
Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson'...
The Voices of Nîmes
Most of the women who ever lived left no trace of their existence on the record of history. Sixteenth- and seventeenth-century women of the middling and lower levels of society left no letters or diaries in which they expressed what they felt or thought. Criminal courts and magistrates kept few records of their testimonies, and no ecclesiastical court records are known to survive for the French Roman Catholic Church between 1540 and 1667. For the most part, we cannot hear the voices of ordinary French women - but this study allows us to do so. Based on the evidence of 1,200 cases brought before the consistories - or moral courts - of the Huguenot church of Languedoc between 1561 and 1615, Th...
The Holy Fool in European Cinema
This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.
Henri Cartier-Bresson and the Artless Art
Henri Cartier-Bresson is perhaps the greatest photographer of the twentieth century. In a career spanning more than sixty years, he has used his camera as an impassive and neutral third eye to capture the vagaries of human behavior and to produce some of the most memorable and compelling photographs ever published. In this impressive biographical study, Jean-Pierre Montier traces Cartier-Bresson's artistic progression from his early training as a painter and draftsman right up to the present; he provides a detailed analysis of Cartier-Bresson's most famous images and discusses the various philosophies that inform his work, notably Zen and surrealism. Drawing together a remarkable selection of the paintings, sketches, and photographs, this book is the first to attempt a serious evaluation not just of his photojournalism but of his oeuvre as a whole.
Sound Work
The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foo...
Human Performance, Situation Awareness, and Automation
In 2000, the Conference on Automation joined forces with a partner group on situation awareness (SA). The rising complexity of systems demands that one can be aware of a large range of environmental and task-based stimulation in order to match what is done with what has to be done. Thus, SA and automation-based interaction fall naturally together and this conference is the second embodiment of this union. Moving into the 21st century, further diversification of the applications of automation will continue--for example, the revolution in genetic technology. Given the broad nature of this form of human-machine interaction, it is vital to apply past lessons to map a future for the symbiotic relationship between humans and the artifacts they create. It is as part of this ongoing endeavor that the present volume is offered.
The Holy Grail on Film
This collection of new essays is the first to study film depictions of the quest for the Holy Grail--the holy Christian relic of legend supposedly used by Jesus at the Last Supper. Scholars from a range of disciplines discuss American, Australian and European films that offer fresh perspectives on this enduring myth of the Arthurian world and Western culture, including The Silver Chalice (1954), Monty Python and the Holy Grail (1975), Excalibur (1981), The Road Warrior (1981), Indiana Jones and the Last Crusade (1989), The Fisher King (1991), The Da Vinci Code (2006), The Waterboy (1998), and Rosencrantz and Guildenstern Are Undead (2009).
Geometry and Topology in Music
This book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification. Contributions address topics of voice leading, Tonnetze (maps of notes and chords), and automatic music classification. Focusing on some geometrical and topological aspects of the representation and formalisation of musical structures and processes, the book covers topological features of voice-leading geometries in the most recent advances in this mathematical approach to representing how chords are connected through the motion of voices, leading to analytically useful simplified models of high-dimensional spac...
