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What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.
In the course of nearly thirty years of work with patients in psychiatric hospitals and private practice, Francoise Davoine and Jean-Max Gaudilliere have uncovered the ways in which transference and countertransference are affected by the experience of social catastrophe. Handed down from one generation to the next, the unspoken horrors of war, betrayal, dissociation, and disaster in the families of patient and analyst alike are not only revived in the therapeutic relationship but, when understood, actually provide the keys to the healing process. The authors present vivid examples of clinical work with severely traumatized patients, reaching inward to their own intimate family histories as ...
This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking. The political power of trauma is seen through US, Israeli, and Japanese art forms as they reflect varied roles of perpetrator, victim, and witness. Traumatic complexities are traced from spirituality to movement, philosophy to trauma theory. And essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television...
A sustained philosophical reflection on trauma and recovery, this work is an original contribution to contemporary trauma studies, integrating material from psychology, sociology, history, literary studies, biography, and fiction. It addresses trauma as an open wound that cannot be closed over without festering. Distorted by trauma, we automatically react by trying to draw away from it, as we do from all pain. Trying to close the wound, cover it, and secure ourselves against further wounding, we strive to preserve our identity in the face of the blows that would shatter it. Inevitably, however, such reactive efforts only distort us even more painfully. Genuine recovery requires that instead ...
Few societies have faced the difficulties of identity building experienced by Rwanda. This book’s introduction reviews literature on the concepts of myth and trauma, and then introduces basic information on Rwanda and how it has been viewed by the outside world. Chapter One describes early Rwanda’s political and cultural development, traditional narratives, group migrations, the effects of German and later Belgian colonialism, and the introduction of Christianity. It concludes with a look at how this early history has been interpreted and reinterpreted. The second chapter discusses the end of Tutsi dominance and the 1959 Hutu Revolution. It details Hutu Power ideology, Belgian domestic p...
Building on a hermeneutic tradition in which accounts of carnal embodiment are overlooked, misunderstood, or underdeveloped, this work initiates a new field of study and concern. Carnal Hermeneutics provides a philosophical approach to the body as interpretation. Transcending the traditional dualism of rational understanding and embodied sensibility, the volume argues that our most carnal sensations are already interpretations. Because interpretation truly goes “all the way down,” carnal hermeneutics rejects the opposition of language to sensibility, word to flesh, text to body. In this volume, an impressive array of today’s preeminent philosophers seek to interpret the surplus of meaning that arises from our carnal embodiment, its role in our experience and understanding, and its engagement with the wider world.
On April 1, 1999, after decades of dreams and negotiations and years of planning, the Inuit-dominated territory of Nunavut came into being in Canada’s Eastern and Central Arctic. This was a momentous occasion, signifying not only the first change to the map of Canada in over half a century but also a remarkable achievement in terms of creating a new government from the ground up. Made in Nunavut provides the first behind-the-scenes account of how the Government of Nunavut was designed and implemented. Written by leading authorities on governance in the Canadian Arctic, this book pays particular attention to the most distinctive and innovative organizational design feature of the new government – the decentralization of offices and functions that would normally be located in the capital to small communities spread out across the vast territory. It also critically assesses whether decentralization has delivered “better” government for the people of Nunavut.
`Extremely well documented and well written, Divided Loyalties is the definitive record of the Liberal Party through the Turner, Chretien, and Martin years. Brooke Jeffrey's interviews with Members of Parliament, high-ranking public servants, and senior Liberals provide an authentic account of the party's travails and conflicts, making Divided Loyalties a truly valuable contribution to Canada's political history.' Peter Russell, Professor Emeritus, University of Toronto `Divided Loyalties brings together for the first time the complete story of the Liberal Party during its most tempestuous years. Brooke Jeffrey's study of Canada's "natural governing party" is balanced, authoritative, and ver...
In The Big Red Machine, astute Liberal observer Stephen Clarkson tells the story of the Liberal Party's performance in the last nine elections, providing essential historical context for each and offering incisive, behind-the-scenes detail about how the party has planned, changed, and executed its successful electoral strategies. Arguing that the Liberal Party has opportunistically straddled the political centre since Sir John A. Macdonald -- leaning left or moving right and as circumstances required -- Clarkson also shows that the party's grip on power is becoming increasingly uncertain, having lost its appeal not just in the West, but now in Qu�bec. Its campaigns now reflect the splintering of the party system and the integration of Canada into the global economy.