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Diosamante
Diosamante, the beautiful, egotistical queen falls passionately in love with a king. To prove herself worthy, she begins a long journey in search of self-perfection.
Armies
A collection of stories featuring an unstoppable army and an indomitable hero, all set amid the backdrop of barbaric and medieval lands. Jean-Pierre Dionnet, one of the founders of "Metal Hurlant," started a new genre in comics when he collaborated with artist Jean-Claude Gal ("Diosamante") in the late 1970s: Heroic Fantasy. It shortly thereafter gained the favor of the public and has since grown immensely. This is the occasion for all lovers of the genre to return to its roots. Witness, with the help of Gal's intricate style, the devastating effects of war as you follow an army's forward progress, and then join Arn's bloody quest for revenge.
Conquering Armies
A collection of stories featuring an unstoppable army and an indomitable hero, all set amid the backdrop of barbaric and medieval lands.
Arn's Revenge
A collection of stories featuring an unstoppable army and an indomitable hero, all set amid the backdrop of barbaric and medieval lands.
The Triumph of Arn
A collection of stories featuring an unstoppable army and an indomitable hero, all set amid the backdrop of barbaric and medieval lands.
Armies
Classic fantasy epics from the pages of Metal Hurlant collected fand colopured for the first time.
Total Chaos
Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. "Just as Raymond Chandler and James Ellroy made Los Angeles their very own, so Mr. Izzo has made Marseilles so much more than just another geographical setting."— The Economist "Izzo's ability to describe Marseilles and to make his readers feel the multiracial reality of that city so directly and authentically is fascinating."—Andrea Camilleri "One of the masterpieces of modern noir."— The Washington Post
After Claude
Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.
Crossing the Bay of Bengal
For centuries the Bay of Bengal served as a maritime highway between India and China, and as a battleground for European empires, while being shaped by monsoons and human migration. Integrating environmental history and mining a wealth of sources, Sunil S. Amrith offers insights to the many challenges facing Asia in the decades ahead.
The Last Utopia
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of huma...
