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European Film Music
  • Language: en
  • Pages: 232

European Film Music

Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.

Catalog of Copyright Entries
  • Language: en
  • Pages: 1138

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

Pluralisme religieux et quêtes spirituelles
  • Language: fr
  • Pages: 218

Pluralisme religieux et quêtes spirituelles

"En Occident, le marché du religieux et du spirituel est plus florissant que jamais. Le pluralisme religieux est non seulement observable en société, mais il «travaille» aussi la construction identitaire des personnes. Il apparaît normal de faire résonner dans une liturgie chrétienne, à côté de la vieille cloche, le son du tambour amérindien, celui du bol tibétain ou du schofar juif. Interpellés par cette situation, les théologiens du Canada français ont instauré avec la culture contemporaine un dialogue qui s'avère d'une grande fécondité comme en fait foi le présent ouvrage. Tour à tour, ils sont amenés à analyser les quêtes spirituelles à partir d'une perspective ...

Catalog of Copyright Entries, Third Series
  • Language: en
  • Pages: 1472

Catalog of Copyright Entries, Third Series

  • Type: Book
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  • Published: 1977
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  • Publisher: Unknown

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Music in Contemporary French Cinema
  • Language: en
  • Pages: 279

Music in Contemporary French Cinema

  • Type: Book
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  • Published: 2017-06-29
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  • Publisher: Springer

This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.

The Middle Voice in Gadamer's Hermeneutics
  • Language: en
  • Pages: 276

The Middle Voice in Gadamer's Hermeneutics

Revised thesis (Ph. D.) - University of Chicago Divinity School, Chicago, 2002.

Music and Transcendence
  • Language: en
  • Pages: 272

Music and Transcendence

  • Type: Book
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  • Published: 2016-03-03
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  • Publisher: Routledge

Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.

Célébrons Nos Réussites Féministes
  • Language: en
  • Pages: 363

Célébrons Nos Réussites Féministes

Abuses by international corporations, withdrawal of social services and implementation of regressive legislation continue to impoverish women and reduce the quality of their everyday lives: women have reason to be demoralized. Recognizing this challenging and difficult situation, this volume reviews women's successes at feminizing Canadian institutions. It is intended to hearten the women's movement and show the potential for feminist change and suggest ways to realize this potential. Bilingual edition.

French Cinema
  • Language: en
  • Pages: 498

French Cinema

  • Type: Book
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  • Published: 2004-03-31
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  • Publisher: A&C Black

To a large extent the story of French filmmaking is the story of moviemaking. From the earliest images through the silent era, Surrealist influence, the Nazi Occupation, New Wave and presently, Lanzonu examines a considerable number fo the world's most beloved films from each era, providing insight into our favourite films.