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The Secrets of Stage Conjuring
"The Secrets of Stage Conjuring" is one of the rarest of Robert-Houdin's books on magic. It is the sequel to "Secrets of Conjuring and Magic" (1868).
The Unmasking of Robert-Houdini
THIS book is the natural result of the moulding, dominating influence which the spirit and writings of Robert-Houdin have exerted over my professional career. My interest in conjuring and magic and my enthusiasm for Robert-Houdin came into existence simultaneously. From the moment that I began to study the art, he became my guide and hero. I accepted his writings as my text-book and my gospel. What Blackstone is to the struggling lawyer, Hardee’s “Tactics” to the would-be officer, or Bismarck’s life and writings to the coming statesman, Robert-Houdin’s books were to me. To my unsophisticated mind, his “Memoirs” gave to the profession a dignity worth attaining at the cost of ear...
Memoirs of Robert-Houdin
Reprint of the original, first published in 1859.
Robert Houdin
None
Memoirs of Robert-Houdin
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Memoirs of Robert-Houdin, Written by Himself [Tr. by Sir F.C.L. Wraxall]. Copyright Ed
Jean Eugène Robert-Houdin was one of the most famous magicians of the 19th century. In this fascinating memoir, he tells the story of his life and career, offering a unique glimpse into the world of magic and illusion. With insights into his most famous tricks and illusions, as well as his personal life, this is a must-read for anyone interested in magic or the history of entertainment. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
