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Few people are aware of the great diversity of resin-producing plants or the remarkable roles resins play in the lives of plants and people. Plant Resins tells the whole story about these fascinating plant products.
Here, Jean Langenheim presents her odyssey as a woman field scientist, who crossed boundaries of botany, geology, and chemistry in doing ecological studies. The book includes almost two hundred photographs and maps and uses a unique timeline as context for her story in relation to relevant historical events, significant changes in the status of women, and milestones in ecology from the 1920s to the present. Her research spans five continents and ranges from arctic-alpine to tropical environments. It includes many adventures (such as a forced plane landing in Amazonia and working in the midst of a coup dtat in Colombia) and interactions with diverse cultures, from Alaska Eskimo to Ghanain fam...
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In this poineering application of island biogeography theory, Harris presents an alternative to current practices of timber harvesting. "Harris pulls together many threads of biological thinking about islands and their effect on plant and animal survival and evolution. He weaves these threads into a model for managing forest lands in a manner that might serve both our short-term economic and social needs as well as what some people feel is our ancient charge to be steward of all parts of creation."—American Forests Winner of the 1986 Wildlife Society Publication Award
This book is a printed edition of the Special Issue "Forest Pathology and Plant Health" that was published in Forests
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
First published in 2012, this catalogue presents fifty-six Etruscan, Greek, and Italic carved ambers from the Getty Museum's collection—the second largest body of this material in the United States and one of the most important in the world. The ambers date from about 650 to 300 BC. The catalogue offers full description of the pieces, including typology, style, chronology, condition, and iconography. Each piece is illustrated. The catalogue is preceded by a general introduction to ancient amber (which was also published in 2012 as a stand-alone print volume titled Amber and the Ancient World). Through exquisite visual examples and vivid classical texts, this book examines the myths and leg...
This is the first single book to cover the whole of the fossil history of insects so comprehensively. The volume embraces subjects from the history of insect palaeontology to the diagnostic features of all insect orders, both extant and extinct.
Ethics in the field of archaeological research has become increasingly more complicated, particularly in response to the recent growth of contract archaeology. The past is not in fact "dead and buried," and ethical questions about this living record demand an ongoing discussion within the social and cultural groups who interpret this record. Authored largely by members of the Society for American Archaeology Ethics Committee, this up-to-date edited volume of original articles tackles issues such as the origins of and theory behind archaeological ethics, as well as archaeologists' responsibilities to the archaeological record, to diverse publics, to each other, and to their students. The book promises to fuel a critical debate among professionals and will be an important tool for training the next generation of archaeologists. Published in cooperation with the Society for American Archaeology. Published in cooperation with the Society for American Archaeology.