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Jean Hatton looks into the recent past to discover the story of the Bible Lands Society. She discusses the men and women who strived to provide front line care in conditions of horrific suffering, and events such as the Armenian genocide, that are largely forgotten today.
200 films reviewed and rated, covering all genres of movie comedy from slapstick to sardonic, from madness to manners. Featured comedians include Bud Abbott and Lou Costello, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, W.C. Fields, Will Rogers, Bob Hope, Buster Keaton, Harold Lloyd, Bing Crosby, The Three Stooges, Eddie Cantor, Charlie Chaplin, Jacques Tati, Sid Field, The Crazy Gang, George Burns and Gracie Allen, Jack Hulbert, Joe E. Brown, Ole Olsen and Chic Johnson, Clifton Webb, Red Skelton, Ronald Shiner, Cecil Kellaway, Norman Wisdom, Frankie Howerd, Toto, Arthur Askey, Katharine Hepburn, Cary Grant, Claudette Colbert, Fred Astaire, Ginger Rogers, Joan Davis, Marjorie Main, Percy Kilbride, Stanley Holloway, Penny Singleton and Arthur Lake.
In 1957, Richard Altick's groundbreaking work The English Common Reader transformed the study of book history. Putting readers at the centre of literary culture, Altick anticipated-and helped produce-fifty years of scholarly inquiry into the ways and means by which the Victorians read. Now, A Return to the Common Reader asks what Altick's concept of the 'common reader' actually means in the wake of a half-century of research. Digging deep into unusual and eclectic archives and hitherto-overlooked sources, its authors give new understanding to the masses of newly literate readers who picked up books in the Victorian period. They find readers in prisons, in the barracks, and around the world, and they remind us of the power of those forgotten readers to find forbidden texts, shape new markets, and drive the production of new reading material across a century. Inspired and informed by Altick's seminal work, A Return to the Common Reader is a cutting-edge collection which dramatically reconfigures our understanding of the ordinary Victorian readers whose efforts and choices changed our literary culture forever.
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Famed ghost hunter Hans Holzer once told an interviewer, “There are three dirty words in my vocabulary: belief, disbelief and supernatural. They don’t exist. There’s no ‘supernatural world.’ Everything that exists is natural. Yet there is a dimension of existence that is as real as your living room, even if the average person cannot access it with all their senses.” For five decades, this meticulous, Vienna-born researcher has been delving into manifestations that seem miraculous, moving among ghosts with a calm resolve that might have startled even the spooks. In book after book, he has documented these spirit presences, building an unprecedented bibliography of The Other Side. ...
Susanna Rustin's Sexed is a radical retelling of the story of British feminism. Starting in the revolutionary 1790s and ending in the present day, she introduces the 1830s radicals who demanded “LIBERTY FOR EVER!”, Victorian petitioners who expected to be dead before women won the vote, and rival camps of suffragists who embraced and rejected violence. She considers the contributions of the first female MPs, as well as activists including the Greenham peace protesters and the black and Asian women’s groups of the 1970s and 1980s. Her goal? To show how successive generations have fiercely contested what it means to be a woman, and why this matters. Biology on its own is not destiny. But this book argues that differences between male and female bodies have always been feminist issues. While gender is a useful concept, women cannot be supported by a politics that forgets that they, like men, are sexed.