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"A surreal semi-autobiographical blackbook record of a semi-mad period of my life, in that mindless, timeless state most romantics pass through, confusing flesh madonnas with spiritual ones." This is how the author describes this extraordinary expatriate novel.
This study offers a new reading of the development of modern authorship in seventeenth- and eighteenth-century France, through a detailed reexamination of one of the central mythologies of this evolution: the author's passage from dependence on patronage to the autonomy of the market.
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Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Following on from Helen Constantine's hugely successful Paris Tales, the twenty-two short stories included in More Metro Tales take the reader on an fascinating journey around Paris by metro. The journey begins at the Gare du Nord, stops at twenty underground stations along the way, and ends at Lamarck-Caulaincourt. Some of these stories actually take place in the metro itself, but most are to be found when you emerge above ground. They range from the 15th-century account of the miraculous Saint Genevieve, patron saint of Paris, through tales by favourite writers such as Zola, Simenon, and Maupassant, to Martine Delerm's evocation of the last hours of Modigliani's mistress, Jeanne Hébuterne...