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Jazz is a music of journeys, migration, and global mobility – from the legacies of the transatlantic slave trade to global travels for escape, exchange, or putting down roots. Having migrated via changing modes of transportation and media communication, the sounds, musicians, and theories of jazz have led to today's diasporic jazz world of global and local encounters. This book features articles that deal with jazz in various geographic areas such as Japan or Israel, orchestras travelling to Egypt or invited to the USA, and so-called expatriate jazz musicians taking up residence in Europe. By sharing their research about jazz on TV, on records, and at festivals, the authors from different disciplines demonstrate how jazz studies today engage with movement in the music's past to question and shape its future. This collection of writings has its origins in the VI Rhythm Changes Conference "Jazz Journeys," which took place in Graz (Austria) and where the International Society for Jazz Research celebrated its 50th anniversary.
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Exploring the creations of Ba Jin (1904–2005), one of the most significant writers in modern China, this edited volume offers in-depth discussions of the writer and his works from a global perspective to initiate and advance dialogues between the Chinese- and English- speaking scholarly communities. The four sections of the book provide readers with a detailed biography and an overview of research on Ba Jin since the 1980s to reflect on the academic achievements of several generations in China. In addition, it includes a selected collection of articles from Korean, German, and French scholars. These articles cover Ba Jin’s life thoughts, personality, literary creation, editing, publishing, and other aspects of the research. This companion aims to provide an alternative lens for Chinese literature studies in a global context. It will be an essential read to students and scholars of East Asian studies, Chinese studies, and those interested in modern Chinese literature.
Focusing on the translation and translators of Boris Savinkov, Mikhail Artsybashev and Leonid Andreev, this book explores the processes of the translation, transmission and interpretation of Russian literature in China during the first half of the 20th century.
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.