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What Was Lost
She has amnesia—and is suspected of a terrible crime. An “unsettling and compelling” psychological thriller from the author of Other Women (Olivia Kiernan, author of The Killer in Me). Sarah has no memories. She just knows she was found near death on a beach, miles from her London home. Now she is part of a medical experiment to see whether her past can be retrieved. But bad things seemed to have happened before she disappeared. The police are interested in her hidden memories too. A nice man she meets in the supermarket appears to have her best interests at heart. He seems to understand her—almost as if he knows her . . . As she fights to regain her memories and her sense of self, it is clear that people are hiding things from her. Who are they protecting? Does Sarah really want the truth? “An intriguing story that keeps one guessing . . . a cleverly written book that will be enjoyed by those who are interested in the games that the mind plays.” —Promoting Crime Fiction
Other Women
A young mother’s life comes apart when she discovers the disturbing truth of her partner’s identity in this taut domestic thriller. With their young daughter and their modest but charming home, Sophie thought she and her boyfriend Jonah had an ordinary, happy life. Then one day Jonah announces that he’s leaving for another woman. Sophie can’t believe it. Suddenly, Jonah isn’t the man she knew. But the lies have only begun to unravel. When an accident puts Jonah in the hospital, it is revealed that he’s been living with her under an assumed name. She finds comfort in new friends who offer their support, including Sam, an attractive English teacher. But is Sam really who he says he is? And where did these new friends come from? Is anyone telling the truth? As Jonah's lies threaten Sophie and her daughter, she begins to wonder if anyone can be trusted.
French Film Theory and Criticism
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Vichy Law and the Holocaust in France
The involvement of Vichy France with Nazi Germany's anti-Jewish policy has long been a source of debate and contention. At a time when France, after decades of denial, has finally acknowledged responsibility for its role in the deportation and murder of 75,000 Jews from France during the Holocaust, Richard H. Weisberg here provides us with a comprehensive and devastating account of the French legal system's complicity with its German occupiers during the dark period known as 'Vichy'. As in Germany, the exclusionary laws passed during the Vichy period normalized institutional antisemitism. Anti-Jewish laws entered the legal canon with little resistance, and private lawyers quickly absorbed th...
Midlife Transformation in Literature and Film
In this book, Steven F. Walker considers the midlife transition from a Jungian and Eriksonian perspective, by providing vivid and powerful literary and cinematic examples that illustrate the psychological theories in a clear and entertaining way. For C.G. Jung, midlife is a time for personal transformation, when the values of youth are replaced by a different set of values, and when the need to succeed in the world gives place to the desire to participate more in the culture of one’s age and to further its development in all kinds of different ways. Erik Erikson saw "generativity," an expanded concern for others beyond one's immediate circle of family and friends, as the hallmark of this s...
The Washingtons. Volume 6, Part 1
Part of a series filled with “gratifying detail” about the ancestry of the first US President, this volume contains the tenth-generation descendants. (Robert K. Krick, author of The Smoothbore Volley that Doomed the Confederacy, Stonewall Jackson at Cedar Mountain, and Lee’s Colonels) This is the sixth volume of Dr. Justin Glenn’s comprehensive history that traces the “Presidential line” of the Washingtons, the vast family originated by the immigrant John Washington, who settled in Westmoreland Co., Va., in 1657, married Anne Pope, and became the great-grandfather of President George Washington. This volume contains the late nineteenth and twentieth century born descendants of Jo...
The Art Institute of Chicago Field Guide to Photography and Media
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthe...
Politics Unseen
In Politics Unseen, Ellen Macfarlane radically reframes the "pure photographs" of California art photography society Group f.64, known for depicting Western landscapes, fruits and vegetables, flowers, and faces. By foregrounding f.64 members’ and their prints’ alliances across commercial, political, and artistic domains, the book shatters entrenched understandings of the group as disinterested in contemporary events and unseats conceptions of its prints as icons of modernist purity. Instead, Politics Unseen argues the politics of f.64’s photographs become visible when interwar ideas about "purity" in the areas of eugenics, racial essence, nutrition, colonialism, and horticulture are interrogated. Ultimately, Politics Unseen alters perceptions not only of f.64, but also of what constituted a political image in 1930s America.
