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Jean-Luc Marion is one of the leading Catholic thinkers of our time: a formidable authority on Descartes and a major scholar in the philosophy of religion. This book presents a concise, accessible, and engaging introduction to the theology of Jean-Luc Marion. Described as one of the leading thinkers of his generation, Marion's take on the postmodern is richly enhanced by his expertise in patristic and mystical theology, phenomenology, and modern philosophy. In this first introduction to Marion's thought, Robyn Horner provides the essential background to Marion's work, as well as analysing the most significant themes for contemporary theology. This book serves as an ideal starting point for students of theology and philosophy, as well as for those seeking to further their knowledge of cutting-edge thinking in contemporary theology.
Jean-Luc Marion is a leading figure in French phenomenology as well as one of the proponents of the so-called 'theological turn' in European philosophy. In this text, a stellar group of philosophers and theologians examine Marion's work, especially his later work, from a variety of perspectives.
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This volume is a guide to the legacy of the philosophical work of Jean-Luc Marion. A leading phenomenologist and philosopher of religion, Marion’s work addresses questions on the nature and knowledge of God, love, consciousness, art, psychology, and spirituality. Here, leading Marion scholars explain the development of his key concepts, while critically mining the philosopher’s ideas for relevant implications and applications to contemporary issues in various fields of study, including philosophy, theology, art, psychology and literature. The first volume to cover Marion’s wider corpus, this book opens with an original essay by Marion himself, and goes on to present a comprehensive view of Marion’s ideas. Though largely anchored in philosophy, the essays are interdisciplinary and explore the various questions central to Marion’s work, including the visibility and invisibility of God, the constitutive force of the horizon of consciousness, the gift and givenness, eroticism and love, art and painting, psychology, literature, memory, iconography, and spirituality.
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility—of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance—or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting—from classical to contemporary—as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
The work of French philosopher and theologian Jean-Luc Marion has been recognized as among the most suggestive and productive in the philosophy of religion today. In Reading Marion, Christina M. Gschwandtner provides the first comprehensive introduction to Marion's large and conceptually dense corpus. Gschwandtner gives particular attention to Marion's early work on Descartes and follows thematic threads through to his most recent publications on charity and eroticism. She explores in detail three prominent topics in Marion's thought: the desire to overcome metaphysics, his reflections on the divine, and his reconsideration of the relation of the self to the other in love. Gschwandtner reveals Marion's thought as a unified whole and provides context for his theological and phenomenological writings. Readers at all levels will find insight into the work of one of the world's most provocative thinkers.
This book represents a continuation of Jean-Luc Marion’s work on givenness as a foundational concept. A former student of Jacques Derrida, Marion is known for his work in seventeenth-century French philosophy, for his theory of "God without being," and for his reformulation of phenomenology. Marion’s groundbreaking work on givenness is articulated through attentive readings in a striking array of philosophical texts. The four pieces collected here, based on the fall 2008 Richard Lectures at the University of Virginia, expand upon and go beyond the lines of Marion’s previous work and exemplify the intersection of his own constructive brilliance with his talent and rigor as a historian o...
Jean-Luc Marion is one of the world’s foremost philosophers of religion as well as one of the leading Catholic thinkers of modern times. In God Without Being, Marion challenges a fundamental premise of traditional philosophy, theology, and metaphysics: that God, before all else, must be. Taking a characteristically postmodern stance and engaging in passionate dialogue with Heidegger, he locates a “God without Being” in the realm of agape, or Christian charity and love. If God is love, Marion contends, then God loves before he actually is. First translated into English in 1991, God Without Being continues to be a key book for discussions of the nature of God. This second edition contain...
While humanists have pondered the subject of love to the point of obsessiveness, philosophers have steadfastly ignored it. One might wonder whether the discipline of philosophy even recognizes love. The word philosophy means “love of wisdom,” but the absence of love from philosophical discourse is curiously glaring. So where did the love go? In The Erotic Phenomenon, Jean-Luc Marion asks this fundamental question of philosophy, while reviving inquiry into the concept of love itself. Marion begins his profound and personal book with a critique of Descartes’ equation of the ego’s ability to doubt with the certainty that one exists—“I think, therefore I am”—arguing that this is ...
This work is based on Professor Marion's Gifford Lectures at the University of Glasgow.