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Le Flaneur, the turn-of-the-century French term for the urban stroller, the street wanderer -- an intellectual with plenty of leisure time to idly traverse the byways of the city, drifting from one quarter to another, making discoveries, meeting old acquaintances, making new ones. It remains the best way to see Paris. This volume of photography is a memoir of numerous walks through the French capital by some great photographers, who set out, like le flaneur, to capture by chance something they had never seen before. These images map and re-map the desired paths and favourite landmarks of one of the most photographed cities in the world, reprinting classic shots from the last two hundred years -- right up to the present day. They poignantly evoke the bars, the cafes, the architecture, the parks and, of course, the vibrancy of the people. Turning the pages is like taking a walk through the history of the city, noting the changes and those elements that are forever Paris -- the tree-lined boulevards, the dimly lit bistros, the narrow passages, and the banks of the River Seine.
Details the development of the privilege system, a precursor to copyright, in early sixteenth-century French publishing.
Album provides an unparalleled look into Roland Barthes's life of letters. It presents a selection of correspondence, from his adolescence in the 1930s through the height of his career and up to the last years of his life, covering such topics as friendships, intellectual adventures, politics, and aesthetics. It offers an intimate look at Barthes's thought processes and the everyday reflection behind the composition of his works, as well as a rich archive of epistolary friendships, spanning half a century, among the leading intellectuals of the day. Barthes was one of the great observers of language and culture, and Album shows him in his element, immersed in heady French intellectual cultur...
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
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A “Community of Peoples” draws together a diverse community of scholars to honor the career of Daniel E. Fleming. Through a diversity of methods and disciplines, each contributor attempts to touch a sliver of ancient Middle Eastern history.
Dependence upon grain deeply marked every aspect of life in eighteenth-century France. Steven Kaplan focuses upon this dependence at the point where it placed the greatest strain on the state, the society, and the individual—on the daily supply of grain and flour that furnished the staff of life. He reconstructs the history of provisioning in pre-industrial Paris and provides a comprehensive view of a culture shaped by the subsistence imperative. Who were the agents of the provisioning trade? What were their commercial practices? What sorts of relations did they maintain with each other? How did the authorities regulate their business? To answer these questions, Professor Kaplan combed the...