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A case study of the daily practice of one of the French supreme courts, the Conseil d'Etat, which specialises in administrative law. Because of an unprecedented access to the collective discussions of judges, the author is able to reconstruct in detail the weaving of legal reasoning.
Of the several Huguenot establishments founded in the United States, that of New York is the first in date and, in most respects, the first in importance. The records in this work comprise the existing baptismal, marriage, and death records of the French Church of New York from 1688 to 1804, together with a few other records belonging to the New Rochelle "Annex." Although the records have not been translated into English, the language of the entries is so simple that even those who do not read French can easily understand it. The records of the church cover the important period of immigration after the Revocation of the Edict of Nantes in 1685. An extensive index contains every name in the records, including maiden names of the brides and names of witnesses, sponsors, parents, and pastors. This reprint is excerpted from "Collections of the Huguenot Society of America," Volume 1 (1886).
The Encyclopedia of Mathematical Physics provides a complete resource for researchers, students and lecturers with an interest in mathematical physics. It enables readers to access basic information on topics peripheral to their own areas, to provide a repository of the core information in the area that can be used to refresh the researcher's own memory banks, and aid teachers in directing students to entries relevant to their course-work. The Encyclopedia does contain information that has been distilled, organised and presented as a complete reference tool to the user and a landmark to the body of knowledge that has accumulated in this domain. It also is a stimulus for new researchers worki...
Names are never given accidentally; they are chosen and bestowed according to rules that reflect fundamental features of the society and culture concerned. This is a study of the nature and history of naming practices in Western Europe.
pt. 1. List of patentees.--pt. 2. Index to subjects of inventions.
"Jean-Paul Viguier was born in Azas, France in 1946. For over twenty years now he has been one of the few French architects to have succeeded in bridging the gap between large-scale public and private projects. As well as numerous buildings in France, he has also realized projects in Asia and in the United States. Viguier was influenced by Mies van der Rohe, and he seeks actively to walk the fine line that separates responsibility and creativity. This publication presents sixteen selected projects by Jean-Paul Viguier dating from the last ten years; they include the Andre Citroen Park, Paris, the French Pavilion at Expo 92 in Seville, the Franco-Chinese Center at Tong Ji University, Shanghai and the Sofitel Hotel, Chicago."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This dictionary contains data not only on the origins of French surnames in Québec and Acadia, a great many of which eventually spread to many parts of North America, but also on those which arrived in the United States directly from various French-speaking European and Caribbean countries. In addition to providing the etymology of the original surnames, it also lists the multifarious variants that have developed over the last four centuries. A unique feature of this work in comparison to other onomastics dictionaries is the inclusion of genealogical information on most of the Francophone migrants to this continent, something which has been rendered possible not only by the excellent record-keeping in French Canada since the very beginnings of the colony, but also through the explosion of such data on the internet in the last couple of decades. In sum, this dictionary serves the dual purpose of providing information on the meanings of French family names on the North American continent, as well as on the migrants who brought them there.
One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions...