Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
L'Orson
None
Louis-Ferdinand Céline, le trésor retrouvé
“Ils m’ont rien laissé... pas un mouchoir, pas une chaise, pas un manuscrit”, se plaignait Louis-Ferdinand Céline. En 1944, l’écrivain fuit vers l’Allemagne. Des manuscrits disparaissent de son appartement, parmi lesquels plusieurs inédits. Au début des années 1980, Jean-Pierre Thibaudat entre en possession d’une caisse, un mètre cube de papiers... de la main de Céline. Des documents de toute sorte, dont les mythiques manuscrits. Une condition était posée : ne rien divulguer avant la mort de Lucette Destouches, veuve de Céline. Au début du mois d’août 2021, leur découverte est rendue publique à la suite d’un imbroglio judiciaire. Le dépositaire accidentel d’...
Collaborative Theatre
Collaborative Theatre combines critical and historical essays by theatre scholars from around the world with the writings of and interviews with members of le Théâtre du Soleil, past and present.
Revisiting Marie Vieux Chauvet
This issue considers the oeuvre of Haitian writer Marie Vieux-Chauvet (1916-1973) as a prism through which to examine individual and collective subject formation in the postcolonial French-writing Caribbean, the wider Afro-Americas, and beyond. While both Vieux-Chauvet and her corpus are situated in the violent space of mid-twentieth century Haiti, her work articulates the obstacles to claiming legitimized human existence on a global scale. The contributors to this interdisciplinary volume examine Vieux-Chauvet's positioning within the Haitian public sphere, as well as her broader significance to understanding gendered and racialized postcolonial subjectivities in the twenty-first century.
Staging Postcommunism
This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well.
Où va le théâtre?
Textes de Guy Alloucherie et Eric Lacascade, Alain Badiou, Frank Castorf, Michel Deutsch, Marc François, Didier-Georges Gabaly, Georges Lavaudant, Bruno Meyssat, Alain Ollivier, Jean-François Peyret, Bernard Sobel. Les textes réunis ici témoignent tous de ce que le théâtre, loin d'être un simple divertissement, est le lieu d'une expérience troublante, engageant spectateurs et acteurs dans une mise à l'épreuve constante des corps et des discours. Comme l'écrit Jean-Pierre Thibaudat dans son avant-propos, face à l'inertie qui guette chacun, le théâtre, " où qu'il soit, est menacé par le renoncement sous ses habits divers : le refaire, le savoir-faire, le consensuel, l'à quoi bon, etc. Ces textes sont ancrés dans l'inquiétude, le doute, la vigilance . --Quatrième de couverture
Re-Situating Public Theatre in Contemporary France
This book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the “public”. Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics.
French XX Bibliography
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
World Encyclopedia of Contemporary Theatre
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
Discovering Orson Welles
Publisher description
