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Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first st...
Preliminary Material /Kees W. Bolle and Mircea Eliade -- Preface /Mircea Eliade -- Foreword /Kees W. Bolle -- Introduction: Tantrism Within the Perspective of the History of Religions /Kees W. Bolle and Mircea Eliade -- The “Orthodox” Praehistory /Kees W. Bolle and Mircea Eliade -- The “Unorthodox” Praehistory /Kees W. Bolle and Mircea Eliade -- Tantra and Tantrism /Kees W. Bolle and Mircea Eliade -- Śrī Aurobindo /Kees W. Bolle and Mircea Eliade -- The Persistence of Religion /Kees W. Bolle and Mircea Eliade -- Bibliography /Kees W. Bolle and Mircea Eliade.
Shows how the transimperial knowledge networks of 'Greater India' energized the interwar nationalist, internationalist and anti-colonial imagination in British India.
Brian Hodgson lived in Nepal from 1820 to 1843 during which time he wrote and published extensively on Nepalese culture, religion, natural history, architecture, ethnography and linguistics. Contributors from leading historians of Nepal and South Asia and from specialists in Buddhist studies, art history, linguistics, ornithology and ethnography, critically examine Hodgson's life and achievement within the context of his contribution to scholarship. Many of the drawings photographed for this book have not previously been published.
What the Indologists missed in deciphering the Indus seal inscriptions was the understanding of the basic contours of the script and that they not only meant mere words but flowing sentences. The incredible ideas emerging from the peculiarity of the images employed in writing on being diligently identified through the rebus method leads to defining the current social and religious roots prevalent in India. All the seal inscriptions amazingly follow the phonetic, syntactic and semantic principles; and also redefine the existence of superstructures, trade and economy, which altogether help to brand the Harappan Civilization as a literate society.
Recent findings in the fields of East Asian archaeology, linguistics and genetics are collected together here, making this an ideal reference tool for scholars in all disciplines working on the reconstruction of the East Asian past.
First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Increasing accessibility of Tibet has provided important new insights on the history and context of Tibetan art. This book discusses the impact of Tibetan patronage on Buddhist artistic monuments from both the heartland of Tibet as well as its far (cultural) borders. A score of experts here explore the dialectic between local and “foreign” traditions. Thus the role of Indian artistic traditions, the merging with Chinese, Kidan and Turkic artistic features come to the fore, while at the same time Central Tibet gets ample attention. Recent field research and the study of previously neglected primary literary (inscriptional) evidence make clear that the study of Tibetan art is still in its infancy. This edited volume is the first comprehensive guide to emerging new insights on the intricate context in which Tibetan art emerged and flourished.
During the era of French colonial rule in Indochina, as many as two hundred thousand Indochinese sojourned in France. Subjects and Sojourners is a vivid and comprehensive social, cultural, and political history of this diverse group, which ranged from ruling monarchs to the most marginal laborers. Drawing from a range of rich but underused archives, Charles Keith explores how French colonialism extended Indochina’s colonial society into France, where Indochinese subjects studied, labored, fought, and lived in imperial spaces and contexts that were profoundly different from those they had left behind. Time in France transformed these sojourners, and when they returned to Indochina, they in turn transformed colonial society. Indochinese, in short, did not simply encounter “France” in the colony: they went and lived it for themselves.