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Flannery O'Connor
A study of Flannery O'Connor, revealing a writer whose world was steeped in male presumption regarding women and creativity. It offers perspectives on her Catholicism, her upbringing, her readings of arguably misogynistic authors, and her schooling in the New Criticism.
Rough South, Rural South
Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Pet...
Not Your Parents' Money Book
For the first time, financial guru and TODAY Show regular Jean Chatzky brings her expertise to a young audience. Chatzky provides her unique, savvy perspective on money with advice and insight on managing finances, even on a small scale. This book will reach kids before bad spending habits can get out of control. With answers and ideas from real kids, this grounded approach to spending and saving will be a welcome change for kids who are inundated by a consumer driven culture. This book talks about money through the ages, how money is actually made and spent, and the best ways for tweens to earn and save money.
Flannery O'Connor
A new biography of the literary legend reconstitutes her life, from her pampered childhood through experiences at the Yaddo writer's colony in Saratoga and her subsequent struggle with lupus. (BIography)
Larry Brown and the Blue-Collar South
With contributions from Robert G. Barrier, Robert Beuka, Thomas Ærvold Bjerre, Jean W. Cash, Robert Donahoo, Richard Gaughran, Gary Hawkins, Darlin' Neal, Keith Perry, Katherine Powell, John A. Staunton, and Jay Watson Larry Brown is noted for his subjects—rural life, poverty, war, and the working class—and his spare, gritty style. Brown's oeuvre spans several genres and includes acclaimed novels (Dirty Work, Joe, Father and Son, The Rabbit Factory, and A Miracle of Catfish), short story collections (Facing the Music, Big Bad Love), memoir (On Fire), and essay collections (Billy Ray's Farm). At the time of his death, Brown (1951–2004) was considered to be one of the finest exemplars o...
In God We Trust
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear of Flick, his childhood-buddy-turne...
Twenty-First-Century Southern Writers
Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers’ works cover wide-ranging subjec...
A Delicate Aggression
A vibrant history of the renowned and often controversial Iowa Writers' Workshop and its celebrated alumni and faculty As the world's preeminent creative writing program, the Iowa Writers' Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the "workshop" method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program--such as Flannery O'Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson--David Dowling examines how the Iowa Writers' Workshop has shaped professional authorship, publishing industries, and the course of American literature.
Class, Whiteness, and Southern Literature
Class, Whiteness, and Southern Literature explores the role that representations of poor white people play in shaping both middle-class American identity and major American literary movements and genres across the long twentieth century. Jolene Hubbs reveals that, more often than not, poor white characters imagined by middle-class writers embody what better-off people are anxious to distance themselves from in a given moment. Poor white southerners are cast as social climbers during the status-conscious Gilded Age, country rubes in the modern era, racist obstacles to progress during the civil rights struggle, and junk food devotees in the health-conscious 1990s. Hubbs illuminates how Charles Chesnutt, William Faulkner, Flannery O'Connor, Dorothy Allison, and Barbara Robinette Moss swam against these tides, pioneering formal innovations with an eye to representing poor white characters in new ways.
Damaged Lives
Drawing on the theories of philosophers of ethics including Hannah Arendt and Alasdair MacIntyre, Damaged Lives: Southern and Caribbean Narrative from Faulkner to Naipaul studies how moral skepticism harms ordinary human beings. In response to an indecisive and uncommitted culture, many writers from the American South and the Caribbean have sought unambiguous sources of order and belief. Damaged Lives shows how a yearning for conviction pervades the writing of William Faulkner, F. Scott Fitzgerald, James Agee, Flannery O'Connor, Mary Hood, and V. S. Naipaul. This book will be useful in courses on modern American and Caribbean literature as well as in courses on ethics, American studies, and cultural studies.
