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In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While ar...
Women mathematicians of the 1950s, 1960s, and 1970s and how they built professional identities in the face of social and institutional obstacles.
Los Angeles Times Bestseller “Mary Cappello[’s] inventive, associative taxonomy of discomfort . . . [is] revelatory indeed.” —MARK DOTY, author of Dog Years: A Memoir and Fire to Fire: New and Selected Poems “A wonderful, multi-layered piece of writing, with all the insight of great cultural criticism and all the emotional pull of memoir. A fascinating book.” —SARAH WATERS, author of The Night Watch and The Little Stranger Without awkwardness we would not know grace, stability, or balance. Yet no one before Mary Cappello has turned such a penetrating gaze on this misunderstood condition. Fearlessly exploring the ambiguous borders of identity, she mines her own life journeys—f...
Psychoanalytic theory has traditionally taken sexual difference to be the fundamental organizing principle of human subjectivity. White Men Aren’t contests that assumption, arguing that other forms of difference—particularly race—are equally important to the formation of identity. Thomas DiPiero shows how whiteness and masculinity respond to various, complex cultural phenomena through a process akin to hysteria and how differences traditionally termed “racial” organize psychic, social, and political life as thoroughly as sexual difference does. White masculinity is fraught with anxiety, according to DiPiero, because it hinges on the unstable construction of white men’s cultural h...
This study considers cultural representations of "brown" people in Jamaica and England alongside the determinations of race by statute from the Abolition era onwards. Through close readings of contemporary fictions and "histories," Salih probes the extent to which colonial ideologies may have been underpinned by what might be called subject-constituting statutes, along with the potential for force and violence which necessarily undergird the law. The author explores the role legal and non-legal discourse plays in disciplining the brown body in pre- and post-Abolition colonial contexts, as well as how are other bodies and identities – e.g. black, white are discursively disciplined. Salih examines whether or not it’s possible to say that non-legal texts such as prose fictions are engaged in this kind of discursive disciplining, and more broadly, looks at what contemporary formulations of "mixed" identity owe to these legal or non-legal discursive formations. This study demonstrates the striking connections between historical and contemporary discourses of race and brownness and argues for a shift in the ways we think about, represent and discuss "mixed race" people.
This volume departs from a more static concept of identity politics to engage the varied and entangled processes of ethnic/racial, national, and gender identifications in a range of contemporary US ethnic texts (from the mid-1960s to the mid-1990s). Recognizing the growing salience of variously named ethnic, multicultural, and minority literatures as they are produced and circulated in the USA and worldwide nowadays, this work charts four broadly defined models of approaching such texts: cultural nationalism, ethnic feminism, borderlands and contact zones, and finally, the diasporic model. Drawing extensively on psychoanalytic theory, feminist/gender studies, critical race theory, postcoloni...
Ample evidence has been provided that women historically have suffered numerous social, political, and institutional barriers to their entrance and success in the sciences. The articles in this anthology refocus the discussion and reflect the interdisciplinary nature of the issues surrounding women in the sciences. While the barriers that women have faced as researchers, subjects of research, students of science, and theorists have been well documented, this anthology breaks new ground. It presents the ways women succeed in the sciences, overcome these historical barriers, and contribute to the social practice of science and the philosophy of science in both theory and practice.
The Exciting or Opiatic Effect of Certain Words -- Arrangement for Voice and Interiors -- Sonorous Envelopes -- Acknowledgments -- Notes and Sources -- Playlist of Music or Sound Works (With Links to YouTube Recordings) -- Photo Credits and Content Descriptions -- Index
"When eighteen-year-old Tommy Baxter declares he wants to be a police officer after graduation, his mother, Reagan, won't hear of it. She's still mourning the death of her own father on September 11 and she's determined to keep her son safe from danger and disaster. Tommy's father Luke arranges for his son to take part in a ride-along program with the Indianapolis Police Department. Meanwhile, Tommy is in love: Annalee Miller has been a family friend for years, and after prom Tommy is seriously thinking about asking her to marry him. When tests reveal she has cancer, Tommy is driven to learn more about the circumstances surrounding his birth--and the grandfather he never knew."
At age 5, I met you. Understood that I was born to marry you. You were silent, you were shy. But I managed to make you be my friend. At age 13, I fell in love with you. I loved your cheeky smile. I loved the way I am the only person you rely on. At age 17, I became yours and promised myself to you. I pledged to wait for you no matter how long. You were sweet, caring, and treated me like I'm the only woman in your world. At age 18, you left. Moving to another country to meet the future that you are born to. I waited but you hardly called. At age 25, you came back for me, but you're not the man I knew. From the day I was born, I was meant to be his. It was okay. Everything was great. I loved him as we played on the playgrounds, as we watched grow up- and he loved me. Suddenly, he left with his father to go to Italy leaving me behind for seven years, he came back but he wasn't the same. From the day I was born, I was meant to be his. I was happy to be his. But he was no longer the man who I was betrothed to.