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The Shipper's Guide
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A House on Fire
Gamble, Huff, and Bell were the pre-eminent soul music producers of the 1970s. This book tells the story of their meteoric rise, their years of unstoppable success, and their demise from payola, competition, a tough economy, and the inevitability of changing popular tastes.
Exchange Is Not Robbery
While living in West Africa in the 1970s, John Chernoff recorded the stories of "Hawa," a spirited and brilliant but uneducated woman whose insistence on being respected and treated fairly propelled her, ironically, into a life of marginality and luck as an "ashawo," or bar girl. Rejecting traditional marriage options and cut off from family support, she is like many women in Africa who come to depend on the help they receive from one another, from boyfriends, and from the men they meet in bars and nightclubs. Refusing to see herself as a victim, Hawa embraces the freedom her lifestyle permits and seeks the broadest experience available to her. In Exchange Is Not Robbery and its predecessor,...
Economic Systems of Foraging, Agricultural, and Industrial Societies
Drawing upon the disciplines of economics, anthropology, statistics, and history, and employing a new and unified analytic approach, Frederic L. Pryor reformulates in this book the entire field of comparative economic systems. He examines large samples of foraging (hunting, gathering and fishing), agricultural, and industrial economies to explore four key questions: What are the distinct economic systems found in each group? Why do certain societies or nations have one economic system rather than another? What impact do economic systems have on the performance of the economy? How do these economic systems develop and change? The results provide a context that allows us to move beyond the chaos of case studies and ideological assertions to gain an overview of the development of economic systems over the millennia. It also raises a series of new analytic and empirical issues that have not hitherto been systematically explored.
Hustling Is Not Stealing
While living in West Africa in the 1970s, John Chernoff recorded the stories of “Hawa,” a spirited and brilliant but uneducated woman whose insistence on being respected and treated fairly propelled her, ironically, into a life of marginality and luck as an “ashawo,” or bar girl. Rejecting traditional marriage options and cut off from family support, she is like many women in Africa who come to depend on the help they receive from one another, from boyfriends, and from the men they meet in bars and nightclubs. Refusing to see herself as a victim, Hawa embraces the freedom her lifestyle permits and seeks the broadest experience available to her. In Hustling Is Not Stealing and its fol...
The Obscure Night
Had Bruce Quenton ever dabbled in the realm of mystical theology, he might have some idea about where he is and where he is being led in the Obscure Night. He might be able to sense the difference between life and death, and understand why he is compelled to fight so hard to be recognized as the person he had always been. The onus falls on Julie Redics to decide if Bruce is the man that he claims to be before she is obliged to prosecute him to the death chamber as a serial murderer. After all, it was Bruce who saved her from a knife-wielding rapist, and is the only man she ever loved. Most of us assume that, if we prepare, we will be safely guided through the Obscure Night. But how are we to know if it’s too late and we are already there?
Bankers Magazine
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