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Say No to the Devil
Despite almost universal renown among his contemporaries, Davis lives today not so much in his own work but through covers of his songs by Dylan, Jackson Browne, and many others, as well as in the untold number of students whose lives he influenced--many of whom continue to teach his techniques today. The first biography of Davis, Say No to the Devil restores the Rev's remarkable story. Drawing on extensive research and interviews with many of Davis's former students and others who knew him well, music journalist Ian Zack takes readers through Davis's difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk.
The Routledge Companion to Women and Musical Leadership
The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women’s participation in musical leadership from the nineteenth century to the present. Global in scope, with contributors from over thirty countries, this book reveals the wide range of ways in which women have taken leadership roles across musical genres and contexts, uncovers new histories, and considers the challenges that women continue to face. The volume addresses timely issues in the era of movements such as #MeToo, digital feminisms, and the resurgent global feminist movements. Its multidisciplinary chapters represent a wide range of methodologies, wit...
The ‘Ukulele
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national ...
Inventing the American Guitar
Inventing the American Guitar is the first book to describe the early history of American guitar design in detail. It tells the story of how a European instrument was transformed into one with all of the design and construction features that define the iconic American flat-top guitar. This transformation happened within a mere 20 years, a remarkably brief period. The person who dominates this history is C. F. Martin Sr., America's first major guitar maker and the founder of the Martin Guitar Company, which continues to produce outstanding flat-top guitars today. After emigrating from his native Saxony to New York in 1833, Martin quickly established a guitar making business, producing instrum...
The Guitar in America
The Guitar in America offers a history of the instrument from America's late Victorian period to the Jazz Age. The narrative traces America's BMG (banjo, mandolin, and guitar) community, a late-nineteenth-century musical and commercial movement dedicated to introducing these instruments into America's elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement's heyday, tracing the guitar's transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techni...
Cool Wooden Box
"This book is a history of guitar making in the US since the folk revival of the 1960s. Based largely on the author's interviews, it includes chapters on the rise of the modern independent luthier movement, recent developments at Martin, at Gibson, and at Taylor- especially regarding the use of technology and ways it is in tension with these companies' traditions and ways it honors their traditions-the changing, though still robust market, and the effect of foreign competition on American builders"--
Nashville Cats
The "Nashville Cats" were a group of session musicians who bounced from studio to studio along Nashville's "Music Row," providing the instrumental backing tracks for countless recordings in the mid-20th century. Including music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy, these versatile Cats not only established the city as a well-known hub for recording popular music, but also defined the era of country music known as the "Nashville Sound."Drawing upon a rich array of previously unexplored primary sources and original oral histories, Nashville Cats: Record Production in Music City, 1945-1975 is the first account of the role that these musicians, along with recording eng...
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