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Sisters of Fortune
The first American heiresses took Britain by storm in 1816, two generations before the great late Victorian beauties. Marianne, Louisa, Emily and Bess Caton were descended from the first settlers in Maryland, and brought up in Baltimore by their grandfather Charles Carroll, one of the Signers of the Declaration of Independence.
Sisters of Fortune
A novel that follows the exuberant lives of Marianne, Louisa, Bess and Emily Caton, the American sisters who enthralled high society in the wake of Waterloo, two generations before the great late- Victorian beauties. It offers a portrait of love between sisters and of Anglo-American relations through this period.
Princess Louise
Biografie van de Engelse prinses (1848-1939).
Kleinwort, Benson
This is the history of two business dynasties, the Kleinworts and the Bensons, whose partnership established one of the leading merchant banks of the twentieth century. Jehanne Wake tells the fascinating story of the building of a great business empire and reveals the personalities who played a part in the bank's often dramatic past.
Royal Observations
These observations and quotations comprise a witty anthology of anecdotes by and about the royal family in Canada over the last 400 years. Enhanced by drawings from the well-known cartoonist Vince Wicks, this book looks at the memorable encounters, sometimes touching, sometimes disconcerting, sometimes hilarious, that Canadians have had with their own and other royal families. Arranged thematically Royal Observations covers such topics as Queen Victoria, English/French relations, World War Two, native peoples and royal tours.
Princess Louise
None
The Making of Women Artists in Victorian England
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Legacies of British Slave-ownership
This book puts the legacies of slavery squarely back into modern British history.
The Arnoldian
None
Return of the Heroine
Parallel narratives alternating between Joan of Arc in 15th-century France and a 21st-century West Point cadet.
