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An Orthodox Festival Book in the Habsburg Empire
A transcription and translation of Zaharje Orfelin's 1757 festival book, Festive Greeting to Mojsej Putnik, this book is one of the most comprehensive accounts of the festival life of the Orthodox hierarchy in the Habsburg lands. While the Festive Greeting remained just an outline for the spectacle and was never publicly performed in its entirety, it remains a fascinating embodiment of Church politics, an issue too dangerous to be made public in the political arena of the Catholic Empire. In addition to the transcription and translation of the festival book, Jelena Todorovic provides a full account of the background to the Mojsije Putnik's episcopal investiture, beginning with a study of the political and historical context to the foundation and establishment of the Orthodox Archbishopric in the Austrian Habsburg and moving on to an examine the religious politics of the Orthodox Archbishops during this period. With detailed surveys of the book's illustrations, proposed scenography and music, it concludes with an assessment of the place of the Festive Greeting in the history of spectacles in the Archbishopric as well as in the history of the Orthodox Church.
Interpretation and Visual Poetics in Medieval and Early Modern Texts
Focusing on literary and non-literary works alike, Interpretation and Visual Poetics in Medieval and Early Modern Texts places visual and material aspects of literary study at the center of the interpretive process. The essays in this collection explore new and traditional areas of research from hermeneutics, to codicology and history of the book, to cultures of sound and the digital humanities. They address the texts themselves, as well as their early manuscripts and subsequent printed and digital editions. The contributors collectively cover a time span of over 1000 years, and begin with the Mediterranean, focusing on texts produced in Italy and the Languedoc regions, then radiate outward to analyse the texts’ material containers (manuscripts, print, and digital editions) that are now housed worldwide. Contributors are: Michelangelo Zaccarello, Daniel O’Sullivan, Valerio Cappozzo, Jelena Todorović, Christopher Kleinhenz, Mirko Tavoni, Isabella Magni, Francesco Marco Aresu, Dario Del Puppo, Beatrice Arduini, Giovanni Spani, Furio Brugnolo, Teodolinda Barolini, Alessandro Vettori, Marcello Ciccuto, Marco Veglia, Michael Papio, and Anthony Nussmeier.
Voices from Exile
The sixteen essays in this volume are a tribute to Hamish Ritchie’s deep interest in exile as a literary and historical phenomenon. The first eight focus on the British and Irish context, including studies of Jürgen Kuczynski and his family, Martin Miller, Lilly Kann, Hermann Sinsheimer, Albin Stuebs, Ludwig Hopf and Paul Bondy, as well as contributions on the Association of Jewish Refugees and the exile experience as reflected in Klaus Mann’s Der Vulkan. The following four contributions widen the discussion to encompass Germany, the Netherlands, Austria and Yugoslavia by focusing on the diaries of Anne Frank and Etty Hillesum, the early poetry of Bertolt Brecht, and works by Vladimir Vertlib, Aleksandar Ajzinberg, and David Albahari. The historical dimension is deepened with contributions on William Joyce, Joseph Jonas, the marginalisation of the mass emigration of the Jews within German memory, and the ‘exile’ of princesses for whom until recent times marriage often meant a life far from home.
Manuscript Poetics
Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological ne...
Reading Chaucer in Time
This book tracks how concepts of reading developed within Italian texts (including Dante's Vita nova, Boccaccio's Filostrato and Teseida, and Petrarch's Seniles) impress themselves upon Chaucer's Troilus and Criseyde and Canterbury Tales.
Virgil and His Translators
Transcending traditional studies of single translations or particular translation traditions in isolation, this is the first volume to offer a critical overview of Virgil's influence on later literature through the translation history of his poems, from the early modern period to the present day, and throughout Europe and beyond.
Case Studies in Assisted Reproduction
Cases that will challenge reproductive medicine practitioners at all stages in their careers, reinforcing diagnostic skill and guiding treatment.
Regimes of Invisibility in Contemporary Art, Theory and Culture
This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
The Concept of Fluidity in the Baroque Age
The Baroque world was a flowing one, a realm of slippery presences in constant flux. Everything seemed to be in endless motion –space, time, emotions and the individual itself. It was a deeply shifting world, and this absence of solidity and certainty would come to define both the macro and the microcosms of these inconstant times. Like other Baroque phenomena, fluidity encompassed a rather complex and wide-ranging set of manifestations – from the swirls of angels on the ceilings of Pietro da Cortona and the polyvalence of space in the complex interiors by Guarini, to the fluidity of being that marked equally the statues of Messerschmidt and Bernini’s Borghese mythologies. This book charts different aspects of this fluidity, discussing fluid geographies, fluidity of presence, fluidity of spaces and materials, fluid souls and water in Baroque culture.
